Interesting Bits – my thoughts on a few interwebby things I found interesting
Foreign Rights: How Authors Tap a Rich Vein of Royalties
I really can't disagree with anything the author of this article says. I can, however, disagree with the underlying subtext, which appears to be: here's something else those silly self-pubbers don't get. Clearly, the author of this article did not explicitly say that, but for the sake of this post I would like to focus on that particular notion.
This isn't the first time I've seen defenders of the mainstream publishing status quo make the argument that those who self publish are missing out on all the advantages that come along with mainstream publishing. I can't really disagree with that either. Mainstream publishers bring many advantages to their clients, including foreign rights. The problem with that particular argument is that there is no guarantee that anyone will be interested in obtaining foreign rights for your book. So while one can claim that foreign rights sales are an advantage to the author who chooses to mainstream published, it's only an advantage if it's a realized.
(I could belabor this point, especially in regards to marketing, but that's another post.)
The other thought-provoking bit about this article is that I don't see why foreign rights sales and self-publishing need to be mutually exclusive. The article states that navigating those murky legal waters can be terribly challenging for the typical author and again I can't disagree with that. But whoever said that you can't self publish AND have an agent who understands these things?
I've mentioned before that I'm pretty close to finishing my novel, To Kill the Goddess. Once I finish I will start querying agents just like everyone else. The difference between me and those who are only looking to mainstream publish will be that I will be keeping an eye open for an agent who is interested in representing me even though I may choose to self publish.
There are of course a whole host of questions around how that particular arrangement might work, but I've caught wind of these relationships here and there on the interwebs and I think that sort of thing just might be the wave of the future.
Hmmm… That sounds like another post too…
Goodbye Cruel World - BLACK HEART Writing Retreat
Doesn't that sound like heaven?
After having been unemployed for 2 1/2 months this summer I totally know what Holly is talking about. I can't possibly convey how much of an incredible experience that was for me to have that block of uninterrupted time. It's just like she says in the article, you really do become immersed in your story. You think about it all the time and you even find yourself dreaming about it.
But could I really go away for a month and do nothing but write? I kinda don't think so.
One of the nice things about being at home was that I didn't have to be away from the lovely @mplstravelkitty. Actually, after being by myself all day I was like a big puppy dog by the time she got home from work. I was all like, “How are you doing? How was your day? Guess what I made for dinner?”
The other reason I don't think I can go away for a whole month is that I found that I needed to get away from the writing on a fairly regular basis. Don't misunderstand me, I wrote every day, but after writing from 8 AM to 2 or 3 PM my brain was kind of mush. I needed the downtime to recharge for the next day. Besides, what better way is there to recharge then spend some time with your honey?