Great Retellings of Classic Stories

“There are no new stories.”

Ah, yes, that old trope. Tarantino took all of his ideas from Asian films, Kurosawa borrowed all of his plots from Shakespeare, Shakespeare ripped off everything from Homer, and I suppose then Homer fashioned all of his stories from the cave drawings of that great prehistoric storytelling duo, Thog and Uk. 

I’m not sure I believe it, honestly. I can buy that there are no new stories, thematically, certainly, but as Aristotle told us a very long time ago, there’s a lot more to drama than just plot. Character, setting, etc., but also there’s the unique voice of the storyteller. Even sometimes when an auteur is deliberately ripping off a plot, they can come up with something brilliantly new. I’m not talking about remakes or movie versions of 1970’s sitcoms here, I’m talking about reworking a classic drama by making it a comedy, modernizing it, or setting it on an entirely different world.

Of course, in the case of Shakespearean theater: ONION ARTICLE

Here are just a few of my favorites:

Clueless (Film, 1995. Plot based on Jane Austen’s Emma.) How does one modernize Austen, with so much of her plot depending upon out-of-date caste systems? Why, set it in a high school, of course. A hilarious modern take on an already witty tale. Young Alicia Silverstone is spot on as the shallow but completely adorable Cher, a girl obsessed with matchmaking, makeovers and clothes. The lower-class farmer is now a skate punk, the nanny is a teacher, and the ‘secretly engaged gentleman’ is gay. Pitch perfect.

Throne of Blood (Film. 1957. Plot based on Shakespeare’s Macbeth.) Akira Kurosawa takes on Shakespeare, and sets it all in 15^th century feudal Japan. Starring the incomparable Toshiro Mifune. Nuff Said.

His Dark Materials Trilogy (Books. The Golden Compass, The Subtle Knife, and The Amber Spyglass, by Philip Pullman. Plot based on Milton’s Paradise Lost.)

I love these books. They are usually housed in the children’s section of a bookstore, but, as I’ve mentioned in previous posts, they are no more children’s books than the Lord of the Rings trilogy. Parallel worlds. Talking warrior polar bears. Parents trying to kill their children. Trips to Hell. Epic battles with God. You know, typical kids’ fare. Read these, they’re terrific.

Young Frankenstein (Film. 1974. Plot based on Frankenstein.) There are many genre and film spoofs out there, but let’s face it, this is one of the best. It's certainly Mel Brooks’ strongest film. Also, it remains funny after many, many viewings. 

The Gap Cycle (Books. The Real Story, Forbidden Knowledge, A Dark and Hungry God Arises, Chaos and Order, and This Day All Gods Die, by Stephen R. Donaldson. Plot based on Wagner’s Ring Cycle.)

Donaldson takes an opera, and turns it into a space opera. I read his Thomas Covenant books when I was 14, and these books when I was in my 20s, and honestly, I’m not sure if I’d have the patience for either series today. That said, I’ve recently read all of the extant Song of Ice and Fire books, so perhaps I would. Be forewarned: the Gap books are terrific, but harsh, especially the first book, which sets up the whole story, but provides you with no relief or redemption. No, as in all of Donaldson’s books, redemption is very hard-earned, mostly because he has his characters commit seemingly irredeemable acts, and then spends several dense books having them attempt to crawl into the light. Sound painful? Perhaps – but these books are also nail-biting, addictive, well-written and complex.

O Brother, Where Art Thou (Film. 2000. Plot based on Homer’s Odyssey.)

This one is a family favorite, and one of the most fun of all the Coen Brother’s films. It's set in the deep south during the great depression, and stars a never-livelier George Clooney: if you haven’t seen this flick, run home and rent/stream it now. Very quotable. Plus, that soundtrack! 

Other goodies:

Scotland PA. (Another Macbeth)

Roxanne (Cyrano)

My Fair Lady (Pygmalion)

West Side Story (Romeo and Juliet)

Bridget Jones’ Diary (Pride and Prejudice)

What are your favorites? Again, not remakes, but reimaginings? ( And I’m really sorry for using that word.)

Cheers!

Q

Name Game Quiz Answers

Here are the answers to the name game quiz from a couple of weeks ago.

If you want to take the quiz before you read the answers, check out the original post HERE.

Shirtless Nathan Fillion: Cynical ploy for more hits, or Mrrrrrrrowwww: You be the judge.

1. Popeye Doyle: movie The French Connection (Gene Hackman).

2. Travis Bickle: movie Taxi Driver (Robert DeNiro).

3. Sarafina Pekkala: book series His Dark Materials (Philip Pullman).

4. Elinor Dashwood: book and movie Sense and Sensibility (Jane Austen).

5. Zaphod Beeblebrox: book, TV show and movie Hitchhikers Guide to the Galaxy (Douglas Adams)

6. Angus Thermopyle: book series The Gap Cycle (Stephen R. Donaldson).

7. George Bailey: movie It's a Wonderful Life (Jimmy Stewart).

8. Malcom Reynolds: television show Firefly (Nathan Fillion).

9. Mad Sweeny: book (and soon to be TV series) American Gods (Neil Gaiman).

10. Salacious B. Crumb: movie Return of the Jedi (Jabba's little ratty puppet friend).

11. Atticus Finch: book and movie To Kill a Mockingbird (Harper Lee).

12. Corky St. Clair: movie Waiting for Guffman (Christopher Guest).

13. Raleigh St. Clair: movie The Royal Tenenbaums (Bill Murray).

14. Jerry Lundegaard: movie Fargo (William H. Macy).

15. Inigo Montoya : book and movie The Princess Bride (Mandy Patinkin).

16. Holly Golightly: book and movie Breakfast at Tiffany's (Audrey Hepburn).

17. Barmy Fotheringay-Phipps (pronounced "Fungy Fipps"): several Jeeves and Wooster books and television episodes (P.G. Wodehouse).

18. Brian Crookshanks: movie Charade (Cary Grant).

19. Archie Leach (this is a famous person's real name and a character name): Cary Grant's real name, and John Cleese's character's name in A Fish Called Wanda.

20. Charlotte Haze: book and movie(s) Lolita (Vladimir Nabokov).

You Are What You Read (The Q Version: Part One)

“I declare after all there is no enjoyment like reading! How much sooner one tires of anything than of a book! When I have a house of my own, I shall be miserable if I have not an excellent library.” Jane Austen, Pride and Prejudice

Now that Lisa has posted her list of favorite books, it’s my turn. Viva la dos equis!

Time to get girly. Except not really so much.

You see, I’m a sci-fi/fantasy writer, and a self-proclaimed geek. I like a lot of 'boy' stuff: I’m a fan of Kurt Vonnegut. I love both R.R.s – Tolkien and Martin. I read the Thomas Covenant series when I was 12. I’ve even cracked open a comic book here and there.

Also, I’m happy to note that as thoughtful, intelligent female writers, neither Lisa nor I have included any sort of mooshy memoir from a high end domestic or intern or the like, nor any chicktastic books that are about people reading Jane Austen novels, and/or are themselves modernizations of Jane Austen novels. However, do you know who’s among the top of my list?

Jane Austen.

Yep. I’m a girl. But wait! Hear me out.

Jane Austen: In this order: Pride and Prejudice, Sense and Sensibility, Persuasion, Northanger Abby, Emma, Mansfield Park.

Ms. Austen is terribly misunderstood by humans of the broader, hairier persuasion. I think it’s because they’re forced to read her in high school or early college, and often they’re just not ready.

Kind of like when I watched A Clockwork Orange at age 18, and was traumatized for years. Only instead of scenes of graphic violence, these poor boys are subjected to elegant balls and class struggles between the upper class and the, ah … upper middle class. However, those 3 or 4 men I’ve convinced as adults to give Jane another try have been successfully converted, without the use of eyelid securing contraptions. Heck, I finally re-watched A Clockwork Orange when I was 30, and I liked it quite a bit.

Here’s the deal. Once you fall into her language, which doesn’t take long, Jane Austen is really, really, really funny. And not in a ‘oh how veddy veddy droll’ sort of way, in a sharp, cutting, whimsical, pointed sort of way. She does this thing, where she, as narrator, is a character herself; she manages to come across on the surface as the objective storyteller, but all the while she’s commenting on the selfish, ridiculous, and just plain stupid qualities of some of her characters, and society – without ever actually coming out and saying anything bad about them. It’s all in her tone, and it’s a brilliant balancing act. From Northanger Abby:

“She was heartily ashamed of her ignorance. A misplaced shame. Where people wish to attach, they should always be ignorant. To come with a well-informed mind, is to come with an inability of administering to the vanity of others, which a sensible person would always wish to avoid. A woman especially, if she have the misfortune of knowing anything, should conceal it as well as she can.”

Razor sharp. Of course, I also love her breathtaking use of language, her wonderful characters (WWEBD – What would Elizabeth Bennet do?), and oh yes, of course, the Romance. Has ever a book so utterly transformed the heroine’s and our opinions of the man in question so gradually and so perfectly as Pride and Prejudice? I guess you’ll have to read it to find out. Yes, you too, gentlemen.

J.K. Rowling: Harry Potter

When I was taking a class at the Loft, the teacher (an acclaimed author) asked us to write down what we’d done that morning, and I included on my list: ‘Read a chapter of Harry Potter and the Prisoner of Azkaban.’ I was soundly mocked. By the teacher. “Really? Harry Potter?” I looked around the room, and some of the students were pursing their lips and shaking their heads in condemnation, others were staring studiously at the floor. I’d bet you a pile of cold, hard knuts that the former group had never read the books, and the latter had, and loved them.

Because what’s not to love? They’re brilliant, and I don’t use that word lightly. (And to be clear, I’m talking about the books and not the movies.) “It’s a kid’s book; it’s for young adults, blah, blah, blah:” not really, and who cares? Not since I was a young adult myself have I been so completely transported into a series of books, into another world.

The series gets better as it goes along, both as Rowling becomes more accomplished in her writing, and as Harry’s understanding of his world expands – in other words, as he grows up. Adults disappoint. People die. Governments fail. And all of this hangs on a tale that Rowling crafted from start to finish, all seven books, before she ever started writing. The completeness of the story, and the little foreshadowing cookies she drops here and there for those who are paying attention (or rereading), are so satisfying, it’s hard to explain properly if you haven’t experienced it. Plus, the characters, and the world of Hogwarts are so likeable and well drawn, and, yes: magical, it’s hard to resist.

I’ve read all of the books multiple times, including twice out loud to friends (I do all the voices, don’t you know), and I’m sure there will be many more readings in my lifetime.

And by the way, my response to my teacher’s comment was, “Hell YEAH, Harry Potter!”

Jonathan Lethem: Motherless Brooklyn and Gun With Occasional Music

Mr. Lethem has other books worth reading, but the above two are my favorites. He is a clever, clever writer – and when you read interviews with him, he speaks almost as eloquently as he writes.

Motherless Brooklyn is not science fiction, although the majority of Lethem’s books fall loosely into that category. It’s a murder mystery, and the main character is low-level thug in the mob who grew up an orphan and also has Tourette Syndrome. It sounds like a gimmick, but it’s not, it’s amazingly powerful, thoughtful, and funny. I would recommend this book to anyone I know; I can’t dream up a person who wouldn’t love it.

The first conversation I ever had with my husband was about Gun With Occasional Music, so it holds a special place in my literary litany. The quote at the front of the book is from Raymond Chandler:

“There was nothing to it. The Super Chief was on time, as it almost always is, and the subject was as easy to spot as a kangaroo in a dinner jacket.”

Lethem uses this quote as a springboard for his futurist noir world, which contains, among other delights, an actual kangaroo in a dinner jacket. There are evolved animals, force-matured children (called baby-heads): objects come with their own soundtracks (thus the title of the book) and psychology has become a religion. Our main character is a private detective in a society where asking questions is a taboo. Tricky. But beneath all these fantastic incidentals (which Lethem manages to convey without ever coming across as Basil Exposition), there’s a great, gritty, classic noir mystery.

Wow. I just took up a lot of space, and I’m only three authors in. I do go on. Well, okay then. More next time!