Tuesday, October 23, 2012

How to Quash the Creative Mind



From my son's First Grade Homework:

1. Which words go together?

Birthday
Cake
Monkeys
Candles

2. Which could really happen?

A rabbit goes bowling with a tulip.
A rabbit hops behind a bush.

And the dilemma of the writerly mom: do I encourage him to conform so he doesn't get his homework "wrong"? Or do we write that story about the monkeys exploding out of the Birthday Cake, bounding about the room with candles grasped in their tails?

Take that Minneapolis School System!

Monday, October 15, 2012

To begin

I don't know if you happened to see this or not, but I recently finished the 1st Draft of my latest Work in Progress (or WIP to all y'all in the know, y'know?). You can read all about it here at my blog, if you're interested. Go on, go check it out. I'll wait... No problem... I don't mind.

Doop-a-do... ppppphhhhbbbbbtttt...

Still looking? No, no. No rush. I said: we'll wait. Don't worry. I just want everyone caught up, is all. Nooooo pressure. Hmm-hmmm-hmmmmm... Hey. Hey, everybody else who's waiting... you guys saw this right?


Never. Stops. Being. Funny.

Okay, everybody back? Great, good to see ya'. And just FYI, feel free to swing back by my blog any time. It's open and free to all.

So yeah. Like I said, the 1st Draft of my current WIP is done, but I'm not quite ready to dive back in and begin the 2nd Draft. Not yet. I don't trust my eyes, for one. They've been too close for too long and they may not see clearly at the moment. And secondly, I need a little break, which is tied into the whole "fresh eyes" thing. Walk away for a bit, take a break, let things simmer down. Then, when you go back again, things will look new... hopefully.

That's the plan, anyway.

In the meantime, I've got plans. I've got new ideas. A new book, I think, maybe (and maybe a new short story too, but that's cooking currently, so we'll see) and I was thinking maybe, while my newly completed 1st Draft is cooling, I would do some work on this new idea/book/thing.

Hmmmm...But how does one start a new project?

Actually, I've done this before, so I've got a process and I thought I'd share it with you. This is what I do, of course, so your mileage may vary, but I've found it works for me. Maybe that's the key to it all: You figure out what works for you and you stick with it. After all, the point is to finish something, right? If your process works for you, great. The flip-side being: If it ISN'T working for you, if you find yourself more often than not staring at a blank page with "so many ideas in my head, if only I could just get them all out..." maybe it's time you switch something up, my friend.

This works for me, so let me break it down for you.

The Outline

This is where I begin. Now, outlines are usually considered bad words in writing circles. They're considered stifling and restrictive and generally lacking in creativity. Conjuring up images of the traditional outline format, many writers sniff, noses in the air, claiming that following such a strict course means your characters will never get the chance to truly walk and talk on their own, it means that your story is locked down before it even starts and as a result, any possible better ideas that might occur along the way are locked out...

Unless of course you prefer to use an outline, in which case the belief is that those who do not lack the focus needed to complete projects, and that those who do manage to finish often miss crucial pieces or forget to capitalize on narrative oppurtunities. They believe that the organization merely allows one to order one's thoughts, to see the shape of the story as it develops, to track the character arcs, and to ensure your narrative is on track. This side of the debate believes that outlines allow the writer to focus on the writing itself by taking the pressure off the writer when it comes to having to remember all the little details and ideas that may randomly occur to them throughout the process.

The two sides can get heated.

Maybe not as much as that classic bit of tomfoolery: Traditional Publishing versus Self-Publishing, but it does get folks riled, and like that other great bru-haha, the majority of the most strident are really just full of crap, because really, who cares? Outline? Don't outline? Who cares? Whatever works for you, right? That's what we're talking about here; that's our motto for the moment, right? Of course, it'd be nice if it were shared by all, but in reality, if you bring up the term "outline" when discussing your process with a bunch of writers, it almost guarantees that the conversation will quickly derail and boil down to an argument between the last standing pair of fools.

Ronnie prefers to outline, while Jwoww likes to "let shit happen".

So let's back up. Instead of Outline, let's call it: Notes.

Yes. Notes...

Take Notes

This is key. It's very important. Especially in the beginning. You're never going to remember all the random crap that floats up out of the dank idea-hole in the back of your head. Never. You think you will, but you won't, that shit is like smoke, Mon Frere, as soon as a breeze blows through that space... it's gone. GONE gone. And when that happens, the only thing you will be left with that you know for sure, is that whatever it was you forgot, it was the most awesome thing ever. Too bad, sucker. And that will drive you nuts. So, trust me, it's better to avoid this feeling. It sucks. And the easiest way to avoid it?

Get some books and write that shit down.

And while yes, it's true, eventually I do put it all in a Word file for easy writing reference, that's for when the ideas are starting to get a little more solid. When I first start out, when I'm still just jotting stuff down and things are still really loose, that's when I prefer to go with Long-hand. That's when I use the books.

Here are my current books:

The reason I find long hand works best at the start, is because it somehow doesn't seem as set. It's just a bunch of scribbled notes, scrawled in blocks and columns, it's snippets of dialogue, bits of scenes, light character sketches. No pressure. At first glance, it's just a jumbled catch all mess, but it's a mess with a purpose, all broken down into a couple of different specific sections.

The Sections
This is how I do it...

Notes:

This is where I keep track of the basics. Names. Moments. Details. Phrases. Descriptions. Snippets of ideas that may go somewhere or nowhere. The random bits. The stray thoughts, like: "Should they even make it to the school?" or "Should there be a friendly Orge? Well-spoken? (Not like Hank McCoy)". This is where I write down the beginning and the ending. Which is very important at the start, I think. It is my firm belief that you should know these two things before you start. If you don't, how do you even know what your story is? Also, this is where I put down the idea: "What if you were special and could do special things. What if you were chosen to attend a special academy, a secret place of magic and wonder, a place where only the most special people with the most special abilities were chosen to attend? What if you went to this special academy and discovered it was evil?" Now, is that the whole of the idea? No, but that's the kernel, that's where it starts.

Questions:

This is where I work bits out. I kind of slog them around and see how they shape out. I question them, if you will. The who, what, why, how, and the where. This is where I start to make some of the bigger story pieces, everything from the character motivation to the setting to the thrust of the conflict. Here's where I figure out the world details, how things work. Knowing these answers are important, even if they never appear in your story, especially if they never appear in your story.

The way it goes:

This is the part that some writers poo-poo, because here's where I sketch stuff out. Here's where I put down what happens first, what happens next, and where things go after that. This is the map. This is the way the story goes. Personally, I like to keep it vague.

"Abby in back of cop car. Rainy. Lots of lights. Her mom is pissed."
Or
"The other world, the rebel ambush, the mass escape, chaos, and into the river."

Short reminders, just enough for me to see and remember. I don't think you need more than that. They're notes, after all. I figure, if you keep it vague, you keep it loose, you leave yourself and your story some room to stretch and grow. Best of both worlds.

Things to remember:

This last part is for specific things that don't have a home. These are the things that are off in the distance still, things that I want to happen, but I just haven't planned up to that point yet. "Find the mech suit" Or maybe it's details that don't need to be in the outline. "The corporate logo is multiple earths spun out into the shape of a C, the beginning of the name: Croatoan. Beneath it says: Worlds of Possibilities." Or "The first child born in America by colonists was named Virginia Dare." Or "Al-taneen means Dragon, in Arabic." These are things to remember. They'll probably be useful.

To begin...

This process takes a little while. It's not something you just sit down and do one day like a math assignment. It's something you start and let build, something you can't linger over. It takes a kernel of an idea. I think it takes the knowledge of a beginning and an ending. Maybe an concerning a few characters too. Maybe a scene. I don't know, your mileage may vary. At a certain point, I take the good stuff, the stuff I'll probably use and transfer it to a Word Document, then this notebook loses it's purpose. It becomes nothing but scribbles and half-baked ideas, but that's later, in the beginning, I find it to be a good place to start.

Of course, once you start your project, you're on your own, sink or swim, baby. Doing this is not a guarantee of any kind of success or anything. How, and if, you ever finish something is up to you; I only share this in the hope that it might help you figure out what kind of story you're going to tell.

Hopefully, it will help you begin.
Jon

Wednesday, October 3, 2012

Fallen Jedi - Padawan

Okay, show of hands. How many of you knew there was such a thing as Star Wars Reads Day?

No? Me either. Not until a few days ago, anyway, when I saw it in my Twitter feed. At first I was like, meh, because Revenge of the Sith kind of killed Star Wars for me.

But then I remembered.

You see, I have this bit of fan fiction I've been sitting on for a long time. It's just a short little thing, something I wrote shortly before Revenge of the Sith. Back then I was reading a lot of Star Wars novels and my imagination was churning, dreaming up all the exciting places the franchise could go. I never once considered that Lucas would kill off all the Jedi in one movie.

This little story takes place in a Star Wars universe where Anakin Skywalker turned into Darth Vader and killed many of Jedi, but not all of them. Those who remained were on the run and Darth Vader was tracking them down, one by one.

So, in honor of Star Wars Reads Day, I present Fallen Jedi – Padawan. I've dusted it off and polished it a bit, but it's essentially the same story I wrote all those years ago.

Enjoy…



Fallen Jedi
Padawan

A story by Shawn Enderlin

Kile ran, skimming along the building’s side as fast as his short legs would carry him. Hot ozone and blaster charred duracrete choked the air while the all too familiar sound of colliding lightsabers hissed and spat behind him.

Run, the mocking voice said in his head. While you can.

Heart pounding, Kile rounded the corner and darted into a busy street. He lost himself in the crowd, moving away from the ambush.

Good, the voice said. Run away and hide. You're too young to help her. Too slow. Too clumsy.

Kile pounded his fists against his head. It was true!

Master Marion’s voice echoed in his head. Control, Kile. Remember, the only one who can make you feel inferior is yourself.

Grinding his teeth with frustration, confusion, fear – the dark side! – Kile struggled to bring his emotions under control. Master Marion was right. He couldn’t afford to let fear control him. Not now. Not with death so close.

Give in to your fear, Padawan. Give in to your hatred of your own weakness. Only then will you discover the power you crave.

“Out of the way, boy!”

Kile looked up into the angry eyes of well dressed man who had. The man took in Kile's braid and the lightsaber hanging on the clip at his belt and the man's contempt melted into terror.

“Jedi!” the man blubbered, backpedaling.

The flow of people slowed to drink in what was happening. Kile felt the hair on the back of his neck stand on end as the thoughts around him bent on that one dreaded word.

The crowd pulled away, their fearful glances searching for clone troopers. Or worse. Kile knew better than to ask for help. Most hurried away, cold with fear, but there are always a few whose shock hardened into calculation, for the bounty on a Jedi could feed most families for a year. Those were the ones to be afraid of.

Kile turned, poised to flee, and nearly ran into an old woman who dragged a reluctant boy along behind. Her crazy gray curls, deeply wrinkled cheeks, and too thick rouge should have been alarming, but something in her sharp green eyes said otherwise.

“Come with me,” the old woman said with an authority Kile was only too glad to obey. Her bony fingers clasped his arm, steering him through the crowd and into a nearby shop. She and pulled both him and the boy away from the windows and behind a large rack of clothes near the counter.

“Can I help you?” asked a distinguished looking man who wore the same fine clothes found on racks.

“Leave and lock the door,” Kile said, motioning only slightly with his hand.

“Of course,” the man said, politely inclining his head and backing away.

“Jedi!” the boy whispered, making the word sound like a curse.

“Not a Jedi,” the old woman said. “A Padawan.”

“Who are you?” Kile asked. She didn’t feel like a Jedi, but her emotions were remarkably calm for a woman who was risking death by the simple act of associating with him.

Her smile intimated a past he could only imagine. “I’m not a Jedi, if that’s what you are thinking. But I’ve known Jedi.”

“Ga’ma!” the boy said, scandalized.

“You don’t understand, grandson,” she said to the boy. “All of you kids, all you know is to fear the Jedi. You never knew the Jedi as I did, as guardians and teachers, masters of lore, compassion, and all that is good.”

“I wish they were dead,” the boy said.

The old woman grimaced. “I’m sorry that this is all that is left to you, Padawan. A boy your age should have better companions than fear, misunderstanding, and bigotry.” She touched his forehead, pushing back his hair. “How old are you? Ten?” He nodded. “Then you must have been in one of the last classes?”

Kile nodded, but kept to himself the memories her words evoked. He barely remembered his life before the Purge. Sometimes he dreamt of the Jedi Temple and of the web of aircars that flew overhead. Mostly it was Yoda he dreamt of. Kile almost smiled. Once, after practice, Yoda had pulled him aside and told him he would be a great Jedi someday.

Kile stuffed the memory back into its safe place then reached out and took the old woman’s hand in his own. “Thank you, ma'am, but I have to go before they find me.”

The old woman nodded sadly, hiding her face as she brought up a hand to dab at her wet eyes. “Yes,” she said. “You should go, but before you do…” She grabbed her grandson's shoulder, turned him around, and pulled off his jacket.

“Hey!” the boy protested.

Kile was even more surprised than the boy when she put jacket over his shoulders.

“Stop it Ga’ma!” the boy sputtered, reaching to take back his jacket. The old woman slapped his hand, stunning him into silence.

Then, before Kile even realized what she was doing, she grabbed the braid that marked him as a Padawan and cut it off with a tiny laser knife she pulled from her pocket.
He watched the braid fall to the ground.

Should have done that long ago, he thought, without anger.

“Now you can go,” the old woman said.

The urgency in her voice rang true and the weight of the world settled onto Kile’s shoulders. Master Marion would be dead by now. He was on his own.

A sudden wave of fear washed over him and he looked up at the old woman, asking, “What if I’m the last one?”

Sympathy and sorrow rolled off of her, but she kept it from her face and instead smiled encouragement.
“You're not,” she said. “There must be balance in the force.”

“Thank you,” he said, and then he looked over to where the boy glared angrily. “Thank you,” he said to the boy.

Eat nerf dung, the boy mouthed.

A feeling of disquiet washed over him.

It had nothing to do with the boy.

“They're coming,” he said at the same moment glass shattered.

“He said they went in here!” a clone trooper’s rough voice said.

“Find the Padawan!” shouted another voice.

“Run!” the old woman fiercely whispered, pushing him behind the counter and pointing him towards the hall before pulling her grandson close and stepping into the open.

“You can't have him” she cried. “He's my boy!”

“What?” the boy shouted. “I’m not a Jedi!”

“Sure you're not,” said one of the clone troopers as he roughly scooped the boy into his arms. “No!” the old woman screamed.

Kile, crouching behind the counter, closed his eyes. “A real Jedi knows no fear,” he whispered, giving voice to Master Marion’s well worn mantra.

Standing, he looked over the counter, to where the sobbing old woman clutched at the armored troopers. He whispered, “A Jedi protects weak, comforts the needy, consoles the distraught.”

Kile stepped around the counter. “A Jedi does not let others die for him.”

The clone trooper with the boy caught sight of him and pointed.

The other clone trooper backhanded the old woman and drew his blaster.

“Another Jedi?” said the first.

“Just some kid.”

“He’s the Jedi!” the boy screamed.

Kile drew his lightsaber from beneath the boy’s coat and thumbed the trigger. It blared to life.

The clone trooper fired. Kile swatted the bolt back into the leg armor on the trooper holding the boy.

Another bolt went wide. Kile leapt across the room, deflecting a third shot back at the shooter and dropping him like a dead dewback. Kile sensed movement and reverse thrusted his lightsaber up into the other trooper's stomach. 

He deactivated his lightsaber and silence filled the room.

For the first time in months his breathing and heart rate were as calm as if he had just woken from a long sleep. Emotionless, he bent down next to the crumpled old woman and turned her bloodied face towards him.

She said, “You should have ran.”
 
Kile shook his head. “A boy would run. A Jedi would never let you die for him.”

A deep, mechanical voice rumbled, “Foolish sentiment, Padawan.”

The old woman's eyes flashed fear and even though Kile knew who that voice belonged to, her fear couldn't find purchase.

He turned and reignited his light saber.

“Fighting you will be a waste of time,” Darth Vader said, gliding into the room. “Your master was disappointing as well.”

Kile walked forward.

He died a Jedi.

A great Jedi.


Friday, September 28, 2012

Present is Past

Originally posted at my blog, Writing and Whatnot

--------

There are few things more influential on our lives than those early years between childhood and adulthood, those years when we become aware of the larger world even as we discover the things that thrill us and struggle with those that cause us pain.

When I look back there are a lot of things that stand out. Good things and bad. Excitement and dread. Venturing out and withdrawing.

Through it all, there was one thing rarely sullied by the drama that so often made a mess of everything else: Iowa Hawkeye football.

Maybe it’s just the forgiving lens of memory, but something about game day was sacred. We forgot about jobs, homework, and struggling marriages and we focused on football.


There was lots of yelling, but always at the TV. Especially at Michigan! There were smiles all around, cursing at bad plays, and food. The food! Mom made a potato salad as mean as any linebacker and dad could make that Weber grill serve up a T-Bone that sizzled like a ball thrown on a quick slant.

Now I’m [REDACTED] years older and things have changed. College, marriage, writing a novel, and becoming a Minnesota Gopher fan just scratches the surface. One of the constants through it all has been that fall Saturdays still hold a glimpse of that same naive wonder I used to feel as a child. Now, football season is the one time of year when I set my coveted writing Saturdays aside and make my way to campus, or sit down in front of the TV.

Especially this week. It’s Minnesota vs Iowa, with Floyd of Rosedale (#ProtectThePig!) and another year of bragging rights at stake.

This year my (not so) little brother and his wife are coming over. The poor kid is still an Iowa fan and while we may not agree on who should win, there will be smiles, curses, beer, food, and fun. And who knows, maybe there will even be some potato salad.

I’ll write on Sunday, when the Gophers are 5-0.

Friday, September 21, 2012

On Stephen King


When asked, "How do you write?" I invariably answer, "one word at a time."
~Stephen King

Happy Birthday today to Stephen King, one of my many writing mentors (unknown to him), whose skills I have tried to absorb through years of reading his many novels and short stories. I was pleased a number of months ago when I found this site (I WRITE LIKE): http://iwl.me/
…and when I pasted in my text it came back with the answer: Stephen King
Yes!
(Although when I tried a few samples of my writing here more recently they came back as James Joyce, Dan Brown and Chuck Palahniuk. Hmmm.)

Looking around my house I found over 50 Stephen King books (including one script and a few comics/graphic novels). I’ve only read 38 of them—a few are still in my writing stack partially read or unopened and waiting for me. A few I’ve read more than once—favorite tomes I’ll probably go back to and revisit someday.

For fun, in no particular order, here is my short list of favorite Stephen King books.

It’s funny how I’ve met so many writers who have ONLY read this book by Stephen King. It’s good, especially the last chapter that talks about the car accident that nearly killed him and slowed down his writing for a while. BUT, his other books, you know, the scary ones, speak volumes more to any reader/writing trying to learn what is so good about his writing.

A damned scary (and fairly traditional) vampire tale. Oh, it also a character named Mark—a 12-year-old who gets what is going on before most of the adults in The Lot.

My favorite work by King. Great characters set in a post-apocalyptic plague world.

So gruesome I know at least one person who would no longer read King after reading this book. My favorite moments are the smaller, short stories within the story, like the time a prize bull was buried up in the cemetery.

It’s about a writer with an evil twin. What’s not to like?

Scariest. Clown. Ever.

Best TV Show made from a Stephen King Book? I’d nominate:

Worst Stephen King Movie (As much as I love his books, I don’t think a lot of them translate well to the movies):

Stephen King Book(s) I wish I liked more:
Everybody (but me) seems to love ‘em.
I’ll give them another try one of these days.

Most forgettable King book (to me):
A sword and sorcery sort of tale. It is on my shelf, but I recall very few details of it (unlike his other books).

Best Stephen King comic I’ve read:

Next King book in my reading stack I want to read:
And Stephen King signed it. :-)

So Happy Birthday, Mr. King. Wishing you many more—and lots more writing.
Thanks for the entertainment, the scares and the writing lessons—one story/novel at a time.

Mark
@manowords

What’s your favorite King book or movie?

Tuesday, September 18, 2012

Some recommendations

Being in the Scribblerati carries with it certain responsibilities.

A lot of people often come up to us (and by "a lot", I mean: None. And by "often", I mean: Never) and they say: "You Scribblerati... you're pretty awesome. Pray tell, what kind of things do you like, because I would very much like to like them too. I would love to stroll about town and lord my new found tastes over the heads of others' much more inferior tastes while laughing, taunting them until my throat is sore, saying: 'ha ha, jerks, you're not cool like me and the Scribblerati!' Simply put, that would be... heaven."

Your cries have not gone unheard...

Some Recommendations
by Jon

Books
Reading... gross.

1. Cloud Atlas


By David Mitchell, in its own words:

"A reluctant voyager crossing the Pacific in 1850; a disinherited composer blagging a precarious livelihood in between-the-wars Belgium; a high-minded journalist in Governor Reagan’s California; a vanity publisher fleeing his gangland creditors; a genetically modified “dinery server” on death-row; and Zachry, a young Pacific Islander witnessing the nightfall of science and civilisation — the narrators of Cloud Atlas hear each other’s echoes down the corridor of history, and their destinies are changed in ways great and small."

Fantastic and soon to be a major motion picture. I intend to both read and watch the hell out of it. See the trailer here.

2. Red Country


By Joe Abercrombie. It's not out yet; that fact drives me nuts. However, it will be out around my birthday... ahem... Anyway, this will be his sixth book of an intended nine, all of them set in the same world, and the third and final one in the middle "loose" trilogy. In its own words:

"They burned her home. They stole her brother and sister. But vengeance is following. Shy South hoped to bury her bloody past and ride away smiling, but she’ll have to sharpen up some bad old ways to get her family back, and she’s not a woman to flinch from what needs doing.  She sets off in pursuit with only a pair of oxen and her cowardly old step father Lamb for company.  But it turns out Lamb’s buried a bloody past of his own.  And out in the lawless Far Country, the past never stays buried. Their journey will take them across the barren plains to a frontier town gripped by gold fever, through feud, duel and massacre, high into the unmapped mountains to a reckoning with the Ghosts.  Even worse it will force them into alliance with Nicomo Cosca, infamous soldier of fortune, and his feckless lawyer, Temple, two men no one should ever have to trust…"

Can't wait.

Movies
Ah... le cinema...

It has come to my attention that not very many of you have seen this film. What is wrong with you? Seriously. For real. Seriously, what's wrong with you? The film is directed by Joss Whedon. It stars Thor. It's so meta, you'll shit. Seriously. One of the best films of the year. A geek must.



Okay, with this one I will just go ahead and assume that many of you haven't seen this film either. Don't feel bad, Joseph Kahn also directed Torque (barf). As a result, there are only 12 people on the planet, including the cast and crew, who have heard of this film, let alone actually taken the time to watch it. I am one of the lucky few. Part teen comedy, part slasher flick, part scathing indictment of society, part time traveling adventure, part sci-fi horror, part 90s nostalgia trip, part sarcastic laugh riot, part Space Bear snuff film, part domestic terrorism thriller, part meta-comedy (you will also shit), this film is absolutely worth your time, although you won't think so at first. At the very least, wait for the moment when the kid remembers different eras throughout 19 years of detention. And yes, I'm recommending it, even though Dane Cook is in it.


Comics
Sequential art, cavemen loved and respected it, why can't you?

Rob Liefeld created this character. Are you familiar with his work? No, read this, we'll wait. Ah, you're back. Please join the others in looking at me and my recommendation somewhat dubiously... Go ahead, because I'm serious. This is a good comic. Really good. But, but... you say. How? How can a comic book featuring a character by one of the worst in the industry from a time when comic books seemed to be competing to be the worst of the indutsry (the 90s), actually be good? Well, for starters, Liefeld isn't involved. As a result we get an intergalactic, far-flung-future tale of clone soldiers on insane alien planets. They live for the mission. They die for the mission. It all reminds me of an arty Doctor Who or Star Trek, but crazier and a shit ton more violent. I don't do it justice. Trust me. Classic Sci-fi. Great art. Fantastic designs.


Joe Hill is the son of Stephen King. He is a writer. Not since Dick Grayson has a man been more doomed to exist in his father's shadow than poor old Joe. The good news is: He's pretty all right. In fact, he's actually pretty good, as evidenced by this fantastic tale of the Locke family and their lives in the aftermath of trajedy while living in the family's ancestral home: The Key House. It is weird and rambling old structure set at the tip of a strange little island at the far flung edge of Maine, a place well known for odd. Oh, and also, the house is full of locked doors and keys, find the right key and the right door and odd things happen. Become a ghost. Beome an old man. Become a giant. Mend things. Alter time. Bring shadows to life. Switch genders. Steal memories. Go anywhere. But what does the Black Door Key do? And who is the ghost woman trapped at the bottom of the well...


TV
This and beer keeps us from going crazy.

1. Louie
There are few hard luck cases like Louie. He is the hang-dog man, sad-faced and trod upon. And hilarious. And brilliant. Riotously funny. Suddenly serious. Shockingly insightful. Often kind of gross and pathetic. But still great. It's a show that is constanly in flux and always innovative. The episode where he and Robin Williams go to a funeral? Genius. This is a man's life, so sad, so entertaining...


2. Archer
There are few things as awesome as Sterling Archer.



Told'ja.

Danger zone,
Jon

Friday, August 31, 2012

The D and D School for Aspiring Authors


An elderly, one-armed dwarf asks, “Will you help hunt down the blood-thirsty allosaurus that took my arm?”
            “Yes,” I say. 
Wouldn’t you?

As a parent there are those moments when you wonder if you should feel proud that your child is following in your footsteps or horrified that you’ve created a monster. My recent moment like this occurred last weekend, when my son asked, “Dad, can you help me create a dungeon adventure?”
Yeah, you heard right, a dungeon, as in Dungeons & Dragons®.
As a kid in my household it is easy to find out about D&D, especially if you wander into my den (aka, The Fortress of Solitude). Even though I haven’t done much role-playing in years all the DM and players guides, the multi-colored/multi-sided dice and scads of metal figures (enough to give you lead poisoning if you hang out long enough, according to some of my friends) are all there waiting, tempting.
I agreed to help my son come up with his adventure, as long as I could do other things while he worked. As he rolled dice, drew maps and selected monsters I was reminded how once upon a time D&D was one of the first places that I (a teen who liked to write) got to experiment with elements of story and character to entertain others and myself.
In some ways I see role-playing games as a kind of school for aspiring writers.
·      If you are a dungeon-master, it’s up to the DM to create a world—the setting and backstory
·      If you are a player running a character, you have to decide on their strengths, weaknesses, what they look like, wear and carry—characterization
·      The characters end up being heroes (or villains) who hopefully have goals and obstacles to overcome—motivation and conflict
·      To be satisfying a gaming adventure, like any other story, needs to have a “triggering event” (in this case a dwarf offering adventure), a beginning, middle, ending and a “climax” (the point in the adventure when the dinosaur was found and tried to eat our group). In other words, structure.
·      Hopefully there are also some twists and surprises along the way, as well as character growth. One surprise in our adventure: We learned the person hiring our group was my dwarf-cleric’s grandfather.
So when my son’s adventure was ready, we talked his mom into playing too, and the three of us spent an afternoon exploring a broad countryside killing monsters and dinosaurs—which I’m sure for any 9-year old is really the appeal of the game.
            Overall, my son did great running the adventure. His story was fast moving and entertaining and he didn’t get flustered by difficult players (that would be me). As we played there were a few moments I had to remind my son that he, as the game master, didn’t get to decide what my characters did—just like in a good story where the author shouldn’t be too heavy-handed making the characters do things that don’t fit the character. The DM also had to remind me to stop on a few occasions, where I tried to fit things into his world that didn’t belong. When cooking velociraptor flambĂ© over an open fire I was corrected that I had only a clay pot—not the aluminum pan my fighter/chef wanted to pull from his backpack.
            It was fun for me to see my son using his great imagination, reading, using mathematic tables, rolling dice to add things up, when the distractions of TV, the Internet and video games are all easier and so readily available. Does he want to be a writer when he grows up? That remains to be seen. But, for the time being he is having fun playing with the tools of writing whether he knows it or not.
            My proudest moment: When our group went to find the one armed dwarf who had hired us to get our reward, we found our gold, but the one armed man was missing—leaving only a few clues to where we’d find him next—a cliffhanger my son had included, and a lead-in to a future adventure. (What we authors would call the sequel, or maybe book 2 in a trilogy, maybe.)
            So did we kill the marauding allosaurus? Yes, but we were much worse for the wear after the fight, all hanging on the verge of death.
A word of advice: When using a dwarf covered in rotten meat as bait to lure a dinosaur into your trap, first verify how fast an allosaurus can run.

Wishing you adventures in dungeons deep,

Mark
@manowords

Side note: In the book Thirty Years of Adventure: A Celebration of Dungeons & Dragons (D&D Retrospective) there are stories by some interesting people about how role playing influenced them: Stephen Colbert, Vin Diesel, and Wil Wheaton. One interview in it I really enjoyed was that of author, Laurel K. Hamilton.  In this book she talks about her writing role-playing adventures and how it influenced her skills as a writer. She says:
“It was interesting to watch people go through something I had created. It showed flaws I hadn’t seen; it showed pitfalls and things that worked. That was very interesting, to allow live people to go through part of my made-up world.
It was also very enlightening…. So having real people going through an imaginary world probably did have an influence on me and made me more open to listening to my imaginary characters as well.”