More recommendations

Hello friends,

I've been a bit remiss with my contributions here at the Scribblerati blog lately, unfortunately--or maybe: Yay, me!--I've been too busy with my own writing to have much to say on the actual subject of writing. I still don't have much to say on the actual subject of writing honestly, but in an effort to pick up the slack a bit, here I am. And I've brought along a few recommendations for you.

I've done this before. 

I've recommended some comics. I've recommend some books, some movies and some TV. Over on my own personal blog, I've recommended a pretty cool short story by a very handsome individual and I'm currently keeping track of some films I am looking forward to. It's a nice fall-back topic when you need content. Plus, who knows, maybe some of you lovely people out there will come across something here that interests you. That's my hope, at least.

So, what will I be recommending to you today?

COMICS

Sure. Why not?

1. Black Science -- Grant McKay is a member of an anarchist collective of scientists and the creator of something he calls The Pillar. With this device, he has punched through the walls between realities and has traveled to alien dimensions, on the hunt for unknown truths and amazing new discoveries. Unfortunately, the only thing he finds is terror and chaos, and now he and his team and his children are lost in the multiverse, cast adrift on a sea of infinite and unimaginable worlds, desperately trying to get home again alive. 

Written by Rick Remender, with art by Matteo Scalera.

Sounds pretty classic, right? It's definitely very rooted in pulp sci-fi, that's a big reason I was initially drawn to the comic. I am a sucker for alternate dimension stories, after all. Another big reason: I was kind of a fan of Sliders, but I was a huge Voyagers fan back in the day, but hey... who wasn't, amirite? Anyway, I was drawn in by the premise, but I have stayed for the story. And if you know me and my buying habits (which you probably don't), this would be kind of surprising, because I haven't been a big fan of Rick Remender's stuff. His Marvel stuff, while hitting some interesting notes, just doesn't quite work for me. The characters are too shallow. This might not make sense to some of you, but they seemed too much like DC characters to me, too much mask and not enough man behind the mask, y'know? Maybe not, either way... here, he not only gets to stretch and be crazy, but his characters seem much more unique and real. They're quickly identifiable too, despite the series starting in media res, which instantly plunges them into danger, so the story moves. It's fun and exciting and full of twists. What more could you ask for from a dimension-hopping adventure? Giant turtles with cities on their backs? Well...

The book is soaked in pulp sci-fi tropes, but it's setting is a modern one, and it hints that Dr. McKay's original dimension is probably not our own too. It's not what you would expect, which is a big part of the fun, and it's still early in the series, only the first 4 or 5 issues are out, so it's a good time to jump on. Also, if tracking down the back issues seems like too much work, a trade paperback collection will be released after issue 6. Take a look, it's a good-looking and good quality book.

2. Deadly Class -- It's 1987 and Kings Dominion Atelier of the Deadly Arts is the deadliest high school on Earth; it's where the world's most powerful governments, richest corporations, and top crime families send the next generation of assassins--their children--to be trained. Here, the classes are murder and the hallways are even worse. Marcus Lopez is wanted by the police, he's an orphan and currently homeless, and he has found himself suddenly enrolled. He's the new kid, and just like in any school, that's something that puts a big target on his back.

Written by Rick Remender, with art by Wes Craig.

Holy crap, TWO Rick Remender comic books? But... but... I thought you weren't a fan, Jon? I'm not. Or at least, I wasn't, but what can I say? The guy has a damn fine pair of comics here. Never let it be said that I am not open to re-evaluating previously set opinions based upon new output. The fact of the matter is, Remender has done a really good job with both of these titles. I am now looking forward to each new issue. I know, shocking. I trust if anyone out there decides to pass on my sudden change of opinion to the man, they will first take a moment to make sure he is sitting down. So anyway, right off the bat I liked this book for two reasons. 1. I love the style. It looks great and I'm a fan of the skate/punk ascetic. And 2. One of the things that's always stuck with me about Harry Potter was that, during the Goblet of Fire, you didn't see the American School of Magic. Why not? But then I thought about it and realized that we probably weren't invited because the American School of Magic is most likely filled with crazy assholes, dangerous idiots, and outright criminals... we would have totally ruined that whole Goblet-tournament thing. You think a bunch of trashy Americans give a shit about Voldemort? We're a hundred times worse than Voldemort. Fuck Voldemort, stupid no face having jerk... So what does this tangent have to do with anything? Well, this book is basically all about the American School of Magic, with all the killer assholes and dangerous idiots intact, only... without the magic.

There are only two issues out so far, so right now is the perfect time for you to swing on into your friendly neighborhood LCS (local comic shop, natch...) and check it out. The art is fantastic and Remender does a great job of introducing the cast and setting while keeping the story moving. I'm very interested in seeing where this book goes.

3. Jupiter's Legacy -- In a world where WWII was headed in a very different direction than in our own, a group of explorers discover an uncharted island and receive strange gifts that changed their world forever. Now, the children of the world's greatest superheroes struggle under the pressure of that incredible legacy. Can they ever hope to equal their parents or do they have plans of their own? 

Written by Mark Millar, with art by Frank Quitely.

The Utopian and Lady Liberty are the leaders of a group of superheroes, they are the greatest among them. They are good Americans, they believe in the system. Hugely powerful, nearly Gods, they love their country. They respect it. They have saved it, and the world, many times over. But in the years since, their children have grown up to be spoiled, drunken and nearly-invulnerable celebutants with the ability to fly and punch through mountains. And that's not the worst of it, either. With no super villains left and with the Utopian refusing to allow any of their number to interfere with the day-to-day operation of society--fearing what a person with so much power might become--the super-powered population has grown bored and restless. That boredom has led to a seething resentment, a fire stoked by a jealous rival until it flares up into murderous betrayal and open rebellion. During the chaos, the daughter of the world's greatest heroes--a fallen super powered former party girl now pregnant with the child of her reformed super villain boyfriend--must go into hiding, on the run from the unleashed rage of the vengeful superhumans. It's pretty great so far. Quitely's art is, as always, amazing. It's written by Mark Millar, who can often be problematic, douchey and/or incredibly terrible, but occasionally he ignores his stupid shock-tactic bullshit and does something good. I think this is one of those titles... so far.

Like the previous two, this book is also early in it's publishing schedule. Only four issues have come out, so its bandwagon is primed and ready to be jumped on. The only problem is they're a bit slow with the delivery of this one. It's supposed to be every six weeks, but they were late on a couple--a ridiculous and disappointingly common issue with some comic book companies--so some of you out there might want to wait for the eventual trades. I wouldn't, but some of you might want to.

Okay, so there's three new comics to check out, if you're so inclined. Who knows where they'll go from here, but for now, I think they're showing a lot of potential. I know I'm going to stick with them. Plus, as an added incentive, they're all still new and relatively stand alone, so you don't need any pre-loaded comic knowledge if you want to check them out. And you should, because they're good.

Questions? Comments? General unrelated nonsense?

Let me know,
Jon

Ancillary Justice

My office, left-center

With the advent of my newly indentured servitude in the dusty and shadowed corridors at the Great Institute of Secret Learning and Ancient Knowledge, I've had plenty of time to catch up on my reading while crammed into the moldy dark of the commuter cattle cars with the rest of the plebeian laborers.

And so, I recently finished Ancillary Justice.

It's the first book by Author Ann Leckie. You might have heard something about it not too long ago. It was making quite a splash in the genre-fiction world, gaining the type of pre-release hype a debut author only dreams about. This is how I heard of it and ended up picking it up.

But for our desert island readers, here is what the back cover synopsis had to say:

"On a remote, icy planet, the soldier known as Breq is drawing closer to completing her quest.

Breq is both more than she seems and less than she was. Years ago, she was the Justice of Toren--a colossal starship with an artificial intelligence linking thousands of corpse soldiers in the service of the Radch, the empire that conquered the galaxy.

An act of treachery has ripped it all away, leaving her with only one fragile human body. And only one purpose--to revenge herself on Anaander Mianaai, many-bodied, near-immortal Lord of the Radch."

Weird, huh? Kind of interesting though, right?

I certainly thought so.

So, maybe somewhat unsurprisingly, the synopsis has the long and short of it. The story is about Breq. Breq is a dead person filled with the last remnant of an AI which was once housed in a massive starship and the hundreds of corpses that made up its crew. Its only living crew members had been its officers. During this time, Breq was known as The Justice of Toren, part of a grand fleet on a continuing mission of annexing planets one by one for the galaxy-spanning empire that built her, all in the service of their nearly omni-present and conquering Emperor Anaander Mianaai. But then something happened--something bad, something blood-soaked--and now Breq is all that is left and she is consumed with a thirst for revenge on the Emperor she once bowed to.

So despite the initial odd edges and ideas, the book is actually a pretty basic set-up when you get right down to it, but also perhaps unsurprisingly, it's those odd edges that really make it stand apart. They are well-written and smart--if maybe somewhat light on the more exciting "action" descriptions, but that's really only a minor complaint. Ancillary Justice is a fun read, stuffed with ideas and coolness, but it moves at a quick pace.

The really interesting part about this book is that it's all written in the First Person. Okay, sure, that's not all that revolutionary at all, actually, except in this case the POV is from that of an AI that used to be a giant starship, and for a large part of the book, also inhabits multiple bodies simultaneously. It's a testament to Leckie's sure hand that the POV jump between the ship and it's many bodies (or Ancillaries... see what she did there with the title? Eh? Eh?) is not only smooth and easy to follow, but feels natural.

Another interesting aspect--very interesting actually--is that, as a result of being a spaceship in a human body, gender is a confusing idea to Breq, and not always readily apparent to her whenever she has to deal with other humans. It's a bit of an issue for her and she often worries if she's guessing right. And what's really great about that is that the default pronoun she uses in the story ends up being "she". Thus, gender is not only a bit opaque for Breq, but for the reader too. And, much like the multiple POV shifts between the same character in its multiple bodies, it feels very natural. In fact, it didn't take long before I didn't notice the lack of "hes" in the book at all. Really, despite Breq's confusion, the gender of the other characters is not only often easily distinguishable, but it quickly becomes apparent that it doesn't really matter.

It's all very well done. Very impressive.

In the end, I really enjoyed the book. The answer to what's going on and what happened to Breq and why she wants her revenge is interesting and fun. Some folks out there might complain that the book turns out to mostly be a prequel for a greater story yet to be told, but I didn't mind that at all. If that tale is ever shared, I will definitely show up for it. All in all, Ancillary Justice is worth the hype and worth the read.

Very recommended.

Buy it, read it,

Jon

To Genre, Or Not To Genre

I’ve been thinking a lot about genre lately.

Specifically, genre as it relates to the speculative fiction we write here at the Scribblerati, as well as my Work in Progress, To Kill the Goddess.

Exhibit #1

It all started while reading Life After Life, by Kate Atkinson. This was a recommendation by my editor (I’ve made a habit of asking her what’s good) and I read it over our Fourth of July vacation to San Francisco.

In case you’re not familiar with it, Life After Life is a story about this woman – Ursula – who is reborn into the same body every time she dies. Each life is a redo, starting in the 1920s, and going through World War II or beyond, assuming she lives that long.

It was a fascinating story – mostly. Sometimes she made terrible choices and the story was hard to read, other times she chose better and the book was fun. But the longer it went on, and the more times Ursula died, it became… tedious. This is not to say it was a bad book, or that it was poorly written, because it was none of those things, but the author shied away from getting into why Ursula kept being reborn. What was the point of it all? Was there intent behind this miracle? Was there a lesson to be learned? A change to be made?

None of those questions were answered, and maybe I’m reaching here, but I think I know why. The answer to those questions would have taken the book out of the realm of literary fiction and into genre.

Exhibit #2

My own writing has been coming along quite nicely. I finished a new draft based on my editor’s comments, and now I’m making one last cleanup pass before I send it back to her. The process has taken about six months, which is longer than I’d hoped, but not as long as I’d feared. During that time, I’ve become a whole new writer. I’ve refined and honed my style, vastly improved my self-editing, but the most important thing I’ve learned is how to focus the story around character.

Character, is entirely what Life after Life was about. Ursula was the same character throughout the book, but her character changed (impressive, eh?). In regards to my own work, To Kill the Goddess has (I hope) become as much about the characters in it as it is about the fantastic world they live in, or the terrible/exciting events taking place around them.

A confession

I have – and this is an entirely unexpected development – thought about giving up writing speculative fiction.

It is, I think, a bit of snootiness, and a notion that will fade with time, but there is merit behind the thought. I still think about those cool sci-fi/fantasy things that used to completely melt my butter, but the more I think about character, the less I think about the facets of my story that make it genre.

I see now why so many choose to write literary fiction. There is a purity there, a laser focus on character that can so easily get buried within the fantastic elements of genre.

Genre, whether it’s fantasy, science fiction, dystopia, or something in between, allows the writer to confront their characters with challenges entirely outside the experience of our normal lives.

If I wasn’t writing genre, I could never so completely turn my characters’ lives upside down, not in any sort of way that wasn’t retreading events we’re all intimately familiar with (e.g. World War II), or turning it into a historical fantasy. Genre lets me tell a story that is fresh, engaging, and exciting.

Could I tell a fresh, engaging, and exciting story without writing genre?

Absolutely.

And I might even do that someday.

But I could never write To Kill the Goddess that way.

Some recommendations

Being in the Scribblerati carries with it certain responsibilities.

A lot of people often come up to us (and by "a lot", I mean: None. And by "often", I mean: Never) and they say: "You Scribblerati... you're pretty awesome. Pray tell, what kind of things do you like, because I would very much like to like them too. I would love to stroll about town and lord my new found tastes over the heads of others' much more inferior tastes while laughing, taunting them until my throat is sore, saying: 'ha ha, jerks, you're not cool like me and the Scribblerati!' Simply put, that would be... heaven."

Your cries have not gone unheard...

Some Recommendations

by Jon

Books
Reading... gross.

1. Cloud Atlas

By David Mitchell, in its own words:

"A reluctant voyager crossing the Pacific in 1850; a disinherited composer blagging a precarious livelihood in between-the-wars Belgium; a high-minded journalist in Governor Reagan’s California; a vanity publisher fleeing his gangland creditors; a genetically modified “dinery server” on death-row; and Zachry, a young Pacific Islander witnessing the nightfall of science and civilisation — the narrators of Cloud Atlas hear each other’s echoes down the corridor of history, and their destinies are changed in ways great and small."

Fantastic and soon to be a major motion picture. I intend to both read and watch the hell out of it. See the trailer here.

2. Red Country

By Joe Abercrombie. It's not out yet; that fact drives me nuts. However, it will be out around my birthday... ahem... Anyway, this will be his sixth book of an intended nine, all of them set in the same world, and the third and final one in the middle "loose" trilogy. In its own words:

"They burned her home. They stole her brother and sister. But vengeance is following. Shy South hoped to bury her bloody past and ride away smiling, but she’ll have to sharpen up some bad old ways to get her family back, and she’s not a woman to flinch from what needs doing.  She sets off in pursuit with only a pair of oxen and her cowardly old step father Lamb for company.  But it turns out Lamb’s buried a bloody past of his own.  And out in the lawless Far Country, the past never stays buried. Their journey will take them across the barren plains to a frontier town gripped by gold fever, through feud, duel and massacre, high into the unmapped mountains to a reckoning with the Ghosts.  Even worse it will force them into alliance with Nicomo Cosca, infamous soldier of fortune, and his feckless lawyer, Temple, two men no one should ever have to trust…"

Can't wait.

Movies

Ah... le cinema...

1. Cabin in the Woods

It has come to my attention that not very many of you have seen this film. What is wrong with you? Seriously. For real. Seriously, what's wrong with you? The film is directed by Joss Whedon. It stars Thor. It's so meta, you'll shit. Seriously. One of the best films of the year. A geek must.

2. Detention

Okay, with this one I will just go ahead and assume that many of you haven't seen this film either. Don't feel bad, Joseph Kahn also directed Torque (barf). As a result, there are only 12 people on the planet, including the cast and crew, who have heard of this film, let alone actually taken the time to watch it. I am one of the lucky few. Part teen comedy, part slasher flick, part scathing indictment of society, part time traveling adventure, part sci-fi horror, part 90s nostalgia trip, part sarcastic laugh riot, part Space Bear snuff film, part domestic terrorism thriller, part meta-comedy (you will also shit), this film is absolutely worth your time, although you won't think so at first. At the very least, wait for the moment when the kid remembers different eras throughout 19 years of detention. And yes, I'm recommending it, even though Dane Cook is in it.

Comics

Sequential art, cavemen loved and respected it, why can't you?

1. Prophet

Rob Liefeld created this character. Are you familiar with his work? No, read this, we'll wait. Ah, you're back. Please join the others in looking at me and my recommendation somewhat dubiously... Go ahead, because I'm serious. This is a good comic. Really good. But, but... you say. How? How can a comic book featuring a character by one of the worst in the industry from a time when comic books seemed to be competing to be the worst of the indutsry (the 90s), actually be good? Well, for starters, Liefeld isn't involved. As a result we get an intergalactic, far-flung-future tale of clone soldiers on insane alien planets. They live for the mission. They die for the mission. It all reminds me of an arty Doctor Who or Star Trek, but crazier and a shit ton more violent. I don't do it justice. Trust me. Classic Sci-fi. Great art. Fantastic designs.

2. Locke and Key

Joe Hill is the son of Stephen King. He is a writer. Not since Dick Grayson has a man been more doomed to exist in his father's shadow than poor old Joe. The good news is: He's pretty all right. In fact, he's actually pretty good, as evidenced by this fantastic tale of the Locke family and their lives in the aftermath of trajedy while living in the family's ancestral home: The Key House. It is weird and rambling old structure set at the tip of a strange little island at the far flung edge of Maine, a place well known for odd. Oh, and also, the house is full of locked doors and keys, find the right key and the right door and odd things happen. Become a ghost. Beome an old man. Become a giant. Mend things. Alter time. Bring shadows to life. Switch genders. Steal memories. Go anywhere. But what does the Black Door Key do? And who is the ghost woman trapped at the bottom of the well...

TV

This and beer keeps us from going crazy.

1. Louie

There are few hard luck cases like Louie. He is the hang-dog man, sad-faced and trod upon. And hilarious. And brilliant. Riotously funny. Suddenly serious. Shockingly insightful. Often kind of gross and pathetic. But still great. It's a show that is constanly in flux and always innovative. The episode where he and Robin Williams go to a funeral? Genius. This is a man's life, so sad, so entertaining...

2. Archer

There are few things as awesome as Sterling Archer.



Told'ja.

Danger zone,

Jon

NPR's Top 100 Science-Fiction, Fantasy Books

So I don't know about the rest of you fine and devoted readers, but it seems like I've been barely caring my weight around here lately. I blame it entirely on the WIP but have no fear, the Beta Draft is a sword thrust away from being complete!! More on that later…

Here, for your Labor Day enjoyment, is NPR’s Your Picks: Top 100 Science-Fiction, Fantasy Books, along with some thoughts of my own, some nice pics, yada yada…

1. The Lord Of The Rings Trilogy, by J.R.R. Tolkien

well of course

2. The Hitchhiker's Guide To The Galaxy, by Douglas Adams

the first of many that I've never actually read. Every time I say I've never read this everybody's like, what??? I know, I know. But when I was in high school and this was popular EVERYONE was reading it and then just turned me off. Yes, I'm one of those people.

3. Ender's Game, by Orson Scott Card

I've extolled the virtues of this book before, along with a few others.

4. The Dune Chronicles, by Frank Herbert

I've read the first one. It's good. Not like, “fourth best book ever good,” but good.

5. A Song Of Ice And Fire Series, by George R. R. Martin

Okay, so, The Scribblerati kept telling me two things about this book: that it was frakking awesome, and that my WIP was similar. So what did I do? I didn't read it, and I still haven't, but I have seen the HBO series and OMG is it frakking awesome! And yes, there are several similarities between it and my WIP.

6. 1984, by George Orwell

never read it (this is the beginning of a trend).

7. Fahrenheit 451, by Ray Bradbury

Nope.

8. The Foundation Trilogy, by Isaac Asimov

Started but never finished the first one. That was way back when I was just when I was just a young un so to be fair probably I should probably give it another shot.

9. Brave New World, by Aldous Huxley

Uh, no. Noticing a trend here?

10. American Gods, by Neil Gaiman

Now I have to say, I really don't have anything against Neil Gaiman. I think he's a really talented writer but I just don't honestly get why everybody is all Ga-Ga Pants for everything he writes. It just doesn't melt my butter.

11. The Princess Bride, by William Goldman

Really? #11?

12. The Wheel Of Time Series, by Robert Jordan

I read the first one and I thought it was pretty good, good enough to buy the second and then I was like, man am I tired of all the series where you have to wait forever in between books. I'm just gonna wait until it's all done.

Still waiting…

13. Animal Farm, by George Orwell

OK, I get it, but do people feel obligated to vote these kind of stories or something?

14. Neuromancer, by William Gibson

**embarrassed** I really should do something about this….

15. Watchmen, by Alan Moore

Fascinating. A graphic novel made the NPR list! But then that opens up all sorts of arguments about why this or that graphic novel didn't make the list. And there's some really great stuff out there…


16. I, Robot, by Isaac Asimov

Oh, that's not what they meant…

17. Stranger In A Strange Land, by Robert Heinlein

Now here's a “classic” that I actually have read. I read it when I was a teenager, which may be why I haven't read any more like this. It was good, but I was really more into a lot of things that haven't made the list yet.

18. The Kingkiller Chronicles, by Patrick Rothfuss

Never heard of it.

19. Slaughterhouse-Five, by Kurt Vonnegut

Nope.

20. Frankenstein, by Mary Shelley

oh please…

21. Do Androids Dream Of Electric Sheep?, by Philip K. Dick

Care to guess?

22. The Handmaid's Tale, by Margaret Atwood

I’ve heard of Margaret Atwood, of course, but not the book.

23. The Dark Tower Series, by Stephen King

Only #23? SERIOUSLY PEOPLE! Even with the lackluster ending in the final volume this is one of the greatest pieces of literature ever produced.

24. 2001: A Space Odyssey, by Arthur C. Clarke

Eh…

25. The Stand, by Stephen King

I really need to read this.

26. Snow Crash, by Neal Stephenson

27. The Martian Chronicles, by Ray Bradbury

28. Cat's Cradle, by Kurt Vonnegut

29. The Sandman Series, by Neil Gaiman

Nope.

30. A Clockwork Orange, by Anthony Burgess

No, but the move totally frakked with my teenage head.

31. Starship Troopers, by Robert Heinlein

I'm guessing the shower scene in the book is nowhere as near as exciting as it is in the movie.

32. Watership Down, by Richard Adams

33. Dragonflight, by Anne McCaffrey

I read several of these when I was really young and I wish I still had them – where did they go?

34. The Moon Is A Harsh Mistress, by Robert Heinlein

35. A Canticle For Leibowitz, by Walter M. Miller

36. The Time Machine, by H.G. Wells

37. 20,000 Leagues Under The Sea, by Jules Verne

38. Flowers For Algernon, by Daniel Keys

39. The War Of The Worlds, by H.G. Wells

No, not her. I've never read the book, but I remember watching the classic movie adaptation back in the 80s, when I was 12ish. They were running it on that, what was it? Masterpiece Theatre on TNT? It blew my mind.

40. The Chronicles Of Amber, by Roger Zelazny

Finally were getting into some good stuff! I must have read the first five half-dozen times and while the second five started out with serious promise they really sputtered out at the end.

41. The Belgariad, by David Eddings

LOVE THESE! Yes they are full of tropes but they are fun!

42. The Mists Of Avalon, by Marion Zimmer Bradley

Beautiful book. 42 is a disservice.

43. The Mistborn Series, by Brandon Sanderson

??

44. Ringworld, by Larry Niven

45. The Left Hand Of Darkness, by Ursula K. LeGuin

46. The Silmarillion, by J.R.R. Tolkien

This isn't a real book….

47. The Once And Future King, by T.H. White

48. Neverwhere, by Neil Gaiman

49. Childhood's End, by Arthur C. Clarke

50. Contact, by Carl Sagan

Great movie. And who doesn’t love Jodi Foster?

51. The Hyperion Cantos, by Dan Simmons

Not even in the top 50 - such a shame! I love these books so much I want to marry them!

52. Stardust, by Neil Gaiman

53. Cryptonomicon, by Neal Stephenson

54. World War Z, by Max Brooks

55. The Last Unicorn, by Peter S. Beagle

Haven't read it but ...

 

56. The Forever War, by Joe Haldeman

??

57. Small Gods, by Terry Pratchett

58. The Chronicles Of Thomas Covenant, The Unbeliever, by Stephen R. Donaldson

I read the first one and, well, not so much…

59. The Vorkosigan Saga, by Lois McMaster Bujold

60. Going Postal, by Terry Pratchett

61. The Mote In God's Eye, by Larry Niven & Jerry Pournelle

62. The Sword Of Truth, by Terry Goodkind

Another one that I read the first novel of and not any more. No offense to Mr. Goodkind, but it makes me wonder, how many times can we write that same story again and again?

63. The Road, by Cormac McCarthy

64. Jonathan Strange & Mr Norrell, by Susanna Clarke

Weird book. I got like 100 pages in and still nothing had happened…

65. I Am Legend, by Richard Matheson

Okay, I probably should read that.

66. The Riftwar Saga, by Raymond E. Feist

These books are like yummy candy.

67. The Shannara Trilogy, by Terry Brooks

Okay, so I probably shouldn't like these as much as I do, but damn I love these. Let me just say, there's a reason that the magic wielding people in my WIP are called Druids and it starts and ends with Terry Brooks.

 
68. The Conan The Barbarian Series, by R.E. Howard

Jason moma Man Crush!

69. The Farseer Trilogy, by Robin Hobb

70. The Time Traveler's Wife, by Audrey Niffenegger

71. The Way Of Kings, by Brandon Sanderson

72. A Journey To The Center Of The Earth, by Jules Verne

I think those Robin Hobb books should probably be on my list.


73. The Legend Of Drizzt Series, by R.A. Salvatore

Sweet! These make me want to get out my dragon dice.

74. Old Man's War, by John Scalzi

75. The Diamond Age, by Neil Stephenson

76. Rendezvous With Rama, by Arthur C. Clarke

77. The Kushiel's Legacy Series, by Jacqueline Carey

78. The Dispossessed, by Ursula K. LeGuin

I read this for a class in college and it single-handedly got me re-interested in science fiction after years of being nothing but a fantasy junkie.

79. Something Wicked This Way Comes, by Ray Bradbury

80. Wicked, by Gregory Maguire

81. The Malazan Book Of The Fallen Series, by Steven Erikson

Never heard of it.

82. The Eyre Affair, by Jasper Fforde

Or this one.

83. The Culture Series, by Iain M. Banks

84. The Crystal Cave, by Mary Stewart

This is one of the first novels I ever read. I don't even think I was 10 and I was slogging through this one page at a time. But if there was one thing that's true then that is still true now, it's that there isn't enough magic.

85. Anathem, by Neal Stephenson

86. The Codex Alera Series, by Jim Butcher

87. The Book Of The New Sun, by Gene Wolfe

88. The Thrawn Trilogy, by Timothy Zahn

Two words: Mara Jade!

These are easily the best Star Wars novels ever written. The only thing that comes close is Michael Stakpole’s X-Wing series.

89. The Outlander Series, by Diana Gabaldan

90. The Elric Saga, by Michael Moorcock

Oh, Elric of Melnibone, I totally have a hard on for Stormbringer, even if it does eat souls.

91. The Illustrated Man, by Ray Bradbury

92. Sunshine, by Robin McKinley

93. A Fire Upon The Deep, by Vernor Vinge

94. The Caves Of Steel, by Isaac Asimov

95. The Mars Trilogy, by Kim Stanley Robinson

96. Lucifer's Hammer, by Larry Niven & Jerry Pournelle

97. Doomsday Book, by Connie Willis

98. Perdido Street Station, by China Mieville

Weird book.

99. The Xanth Series, by Piers Anthony

I don't think I could read this today, but at the time, when I was a teenager, these were full of awesome.

100. The Space Trilogy, by C.S. Lewis

Well, that's it friends. Thanks for sticking in there. It was a blast!



I'll leave you with this curious omission...

Book Review: Lyda Morehouse’s Resurrection Code

I used to be a voracious reader. I wasn't a fast reader, but I was dedicated, and like the proverbial turtle, I made the finish line more often than most. I couldn't even tell you how many books I've read in my lifetime, but I wouldn't be at all surprised if that number is in the high hundreds.

Writing has changed all that. I now spend the vast majority of my time writing and I bet I haven't read more than a dozen books in the last three years. So you can understand how excited I get when I actually have an opportunity to do some serious reading, like on a vacation. I try to choose my books carefully, but more often than not I find myself underwhelmed or flat-out disappointed.

My latest read, consumed by the pool in Vegas, was Lyda Morehouse’s Resurrection Code. Resurrection Code is a fun, exciting, thought-provoking dose of boo-yah! in a marketplace overrun by safe, unexceptional, and unoriginal fare. It's also, in my humble opinion, the best book Lyda has written in several years.

Resurrection Code is billed as a prequel to the other four books in her Angel Link universe but it also works as – if not quite a sequel – a coda to what came before. The book starts out in the present with Mouse (international hacker extraordinaire), Page (the sentient AI Mouse created), and Dierdre (PI with an Angel fetish) but doesn't waste time before flashing to the prequel. The story weaves back and forth between coda and prequel, and Lyda manages to intertwine the stories with polished ease. The coda story starts like a walk in the park with old friends, then quickly develops into a story in its own right, but the heart of the book is the prequel, which takes us into a part of the Angel Link universe that the previous books only gave us the barest glimpses of.

That this was the first book in the Angel Link universe in several years was immediately obvious. Maybe it's just that I haven't read one of those books in a long time, but I felt that the tone of Resurrection Code was colored by Lyda’s experience writing as Tate Hallaway. Turns out that color is a good thing. I felt like there was a new, natural whimsy to the writing that enhanced, rather detracted from the serious nature of the underlying themes.

Did I say themes? All good science fiction has an underlying theme and Resurrection Code is no exception. In this case that theme is gender, or more specifically, transgender. Without giving anything away, the prequel story features a heretofore unknown transgender character. There's a bit of romance, and while it's sweet, the story doesn't shy away from the realities faced by our transgender brothers and sisters. This story challenges your preconceptions and makes you think. That also is a good thing.

Is there anything didn't I like? I could've done without some of the pop culture nods, particularly the zombies, which felt a little crowbarred in, but that’s a giant nit pick among nits. And now I'm remembering the Battlestar Galactica reference - that was full of awesome, so I guess I’m Mr. Inconsistent.

What was my favorite thing? I have two. The first was Page’s commentary to the Mouse interviews that begin each chapter. Hilarious! The second is Morningstar. That’s Satan to the rest of you. Not a pitchfork and horns Satan, but an approachable – dare I say sexy? –Satan who all too often reminds us of ourselves.

In closing, go buy it. You won't be disappointed.

Disclaimer: I know Lyda. Were not bosom buddies (heh, I said bosom) but we’ve shared a laugh or two, so take that for whatever it's worth. Even so, I'm not afraid to dish out criticism where appropriate. Just ask my fellow Scribblerati!

** UPDATE 6-5-11: So, while this comment was fun to write "in a marketplace overrun by safe, unexceptional, and unoriginal fare" it's not fair to those of you working hard to write, publish, etc. I'm sure there's great stuff out there, I just haven't stumbled on to much of it and that's more my fault than anyone else's.

I feel better now - conscience absolved! :-P

Fantasy Schmantasy

There’s been a huge kerfuffle on the interwebs recently about two reviews of HBO’s fantasy series Game of Thrones. One, by New York Times reviewer Ginia Bellafante, has caused the most outrage, as she pretty much dismisses the entire population of female fantasy fans as, well, fantasy, and implies that we girls would much rather read a book stamped by Oprah than a book with filled with swords and medieval political machinations. Whatever. I won’t try your patience; many folks out there in the interworld have very eloquently told Ms. Bellafante what for in that respect. What is stuck in my craw is that both she and Slate’s reviewer, Troy Patterson, dismiss the fantasy genre as not worth reviewing in a serious manner, while they’re reviewing it. Bellafante gets her facts shockingly wrong, and also says that the show, because of its content, does not belong on the venerated HBO. Patterson admits he dislikes the genre, and only kinda-sorta actually reviews the show.

Fortunately, we have Matt Zoller Seitz at Salon.com to set them straight: all you fantasy geeks out there, just try not to fist punch the air as he takes these two on.

Times Review

Salon Review

The whole hurly-burly, however, has gotten me thinking, and I realize that I’ve encountered more than my fair share of disdain for liking speculative fiction as an adult.

I love Buffy the Vampire Slayer, and I’m so not alone in this, and yet, when it comes up in conversation – Them: “What’s your favorite show?” Me: “Buffy.” I’ve gotten many blantant reactions of eye-rolling disbelief, from sneers to “Reallys?” Okay, right. Unlike Game of Thrones, Buffy the Vampire Slayer isn’t graced with a name that reeks of gravitas: so, those who haven’t seen it might lump it in a category with Sabrina the Teenage Witch, or, I don’t know, Small Wonder.

We’ve said it before on this blog, and we’ll say it again: Buffy is an incredibly well written, well acted, dramatic, creative and humorous show, full of characters who grow and change (okay, yes, sometimes into a werewolf, but still). And you know what? Some people just don’t like sci fi/fantasy, and that’s okay. I have a good friend who, because she loves me, watches episodes of Buffy with me. She generally only watches serious, realistic dramas, but she sticks with Buffy because A) There are moments of truly stellar drama in the series, and B) David Boreanaz is hot. That said, she could take or leave your standard “Monster of the Week” episodes, whereas for me, the Hellmouth is half the fun. The thing to note here is she’s not dismissive of the genre; it’s just not her favorite. Whereas many folks look upon we speculative fiction fans as childish, regressive, socially inept losers. Why is that? Really?

Another story: A coworker of mine blew the ending of the sixth Harry Potter book for me. I’m crazy about J.K. Rowling, and I think those books are brilliant – I believe they will go down in history as great classics. The coworker in question was talking about Harry Potter and the Half Blood Prince, a book, it should be noted, that he hadn’t himself read, nor had he read any of the series – but his wife had finished it over the weekend and told him what happened. After repeated requests for him to stop talking about it, as I hadn’t finished the book, he looked me straight in the eye with an irate look on his face, and blurted out the ending.

I was furious and hurt. I’d been waiting breathlessly for over a year for the book to come out, I was looking forward to going home and savoring a few more chapters that night, and although he didn’t ruin the book for me, he certainly stole away one of the biggest surprises of the series. When I confronted him, his response was, “I don’t know what the big deal is. It’s only a kids’ book.”

Interesting. There was almost envy in that statement, as though he didn’t, as a Grown Up, allow himself to go there - to a fantasyland of magic and monsters - and the fact that I and many others could extract childlike wonder from the experience made him spiteful and mean. I picture him now: a grounded child sitting in his living room, palms and nose pressed against the front picture window, as unicorns and fairies and elves and wizards frolic around his yard.

What’s very weird is the idea that sci fi/fantasy, comics, magic and swords are childish, and if someone continues to enjoy these things into adulthood, it’s because they’re somehow damaged: they’re geeks and dorks, living on the fringes of society, holed up in their basement playrooms with their pewter orc figurines and dungeon maps. (Okay, well, those people do exist, too: fair’s fair.) Yet, hmm. Superheroes. Elves. Dwarves. Vampires. Wizards. Giant robots. Aliens. These are the heroes and villains of some of the biggest movie blockbusters of the last 15 years.

Perhaps it is okay to love the unreal as long as you have a bag of popcorn in your lap. Mighty Odin forbid you get your fantasy kick from a book or any other lauded medium.

We Can Be Heroes

"Look at what's happened to meeee....eee, I can't believe it myself!"

In my last blog entry, I talked about villains, so this time I thought I’d give their counterparts some equal time. As I said before, I tend to prefer the villains; they have way more fun, but nevertheless, I love me a well-written hero.

Last time, I came up with some possible categories for types of villains, so let's see if I can pull off the same feat for our heroes (the way I’m defining them, they don’t have to be the protagonist, just someone, to put it simply, 'on the side of good'), again, sticking somewhat, but not entirely to the sci-fi/fantasy genres.

Hero as the Perfect Person: This category was more common back in the day – especially in comic books and young adult literature. Superman, Nancy Drew, Aragorn (in fact, many of the characters in LOTR)… you get the idea. It’s harder to pull off today, because we 21st century denizens tend to like at least little darkness in our good guys (look at the majority of television drama protagonists these days).

I can think of a couple of exceptions, keeping in mind that these people have little moments of imperfection, but for the most part, it’s the outside forces in their lives that are messed up, not them:

Jack Bauer from 24 (I’ve only seen the first 2 seasons, so I can’t vouch for subsequent episodes) – the writers can afford to make him perfect, and by that I mean beyond smart, quick, capable, moral, brave, etc., because the whole season takes place over only 24 hours, and therefore everything moves very quickly. There’s no time for deep introspection or character development. In fact if our hero were flawed, it would get in the way of the action, and he’d be less fun to watch – part of the appeal of the show is that, no matter how dire things get, you know the hero is going to triumph in the end.

John Crichton from Farscape: Crichton is an earthling stuck in another part of the universe, far, far away. The big joke of the show is that he is the very best of humanity: he’s a genius (literally a rocket scientist), unbelievably brave, unfailingly moral, athletic, attractive, kind, funny, etc., but the aliens he encounters all think he’s about as evolved as a trilobite. (Okay, more accurately, an ape.) So, the writers have fun playing with everyone’s incredibly low expectations of him (his morality especially is seen as a weakness), and his constant struggle to prove himself, and gain the trust and love of these strangers.

Pretty much every main character in Star Trek: This is, in fact, one complaint that many people had about the shows; everyone's too perfect. At least we’ll always have Lt. Reginald Barclay.

The Superhero with a Couple of Flaws and/or Weaknesses: These folks are either literally super-powered in some way, or far superior to any living human being, and therefore might as well have super powers. Most modern comic book superheroes fit into this category, as does Sherlock Holmes. Here are a couple of my favorites:

Buffy the Vampire Slayer: Oh, man, she can kick some undead patookis, but put that girl in a romantic relationship, guaranteed it'll eventually fall apart, and then she’ll fall apart.

Veronica Mars: (Great show, by the way, go rent it if you haven’t seen it). Veronica is one of those not-really-superpowered-but-no-person-could-possibly-be-that-clever-in-real-life types. So fun to watch her big brain work, and she always gets her man, however, like Buffy, she acts a little screwy when it comes to the boys. More than that though, she’s itty bitty teeny tiny - pocket-sized, even, and not in the least bit kick-ass. Put her in physical danger, and she’s fairly helpless. Also, she's a little - vengeful, a little hard.

As a subcategory, I’d go so far as to say that most protagonists in Hollywood films fit this bill, sans the superhero part. (He’s great, but he: lacks self-confidence/doesn’t connect with his son/can’t commit to a relationship/can’t forgive himself for his wife’s death, etc. etc.).

Hero as Everyday Schmo: Pretty self-explanatory. In sci-fi/fantasy, this person is usually tossed into extraordinary circumstances. Sometimes they become great heroes (Luke Skywalker), sometimes they just survive (Arthur Dent from The Hitchhiker’s Guide to the Galaxy). Who else? Frodo and Bilbo Baggins. Many of Neil Gaiman’s protagonists. Harry Potter (despite the magical powers, I’d put him here. Everyone in his world has magical powers, and he’s hardly exceptional). Simon from Tad Williams’ Memory, Sorrow and Thorn series: In fact, a lot of fantasy books use this type of hero.

Hero as Redeemed Rogue: Han Solo! Han Solo! One of my favorite types of heroes, they’re so fun to watch/read about, and for some reason are often quite sexy. Must be the bad boy/girl thing.

Of course, it all comes back to Buffy with me – and the show excelled at portraying the Redeemed Rogue - Spike, Angel and even Anya and Andrew fit this bill. Who else? Xena, Warrior Princess. Artemis Fowl. And one of the best: Severus Snape from Harry Potter.

A subcategory might be ‘Misunderstood hero’ – folks we think are bad, but actually turn out to be good. Serious Black springs to mind, as does Mr. Darcy from Pride and Prejudice. For obvious reasons, though, these folks are almost never the main characters.

Hero as Seriously Damaged/Flawed Individual: This is a late addition, due to Jon's comment on my Batman neglect. I had thought of Mr. Batman, but didn't know where to put him... now it occurs to me that I was missing a category. Far from possessing "a couple of flaws," but not quite an antihero, these folks show up most often in ongoing series (otherwise they tend to end up a Redeemed Rogue), and they usually are extraordinary in some way, otherwise we wouldn't put up with their antics. Tony Stark (narcissistic, womanizing alcoholic), Batman (brooding vigilante), and House (jerk) all fit the bill.

Antiheros: I thought I’d give a nod to this type of character, even though they’re less ‘heroes’ and more ‘nasty protagonists’- your Taxi Drivers, Clockwork Oranges, Catchers in the Rye and the like. If they turn out to be actual heroes in the end, like Thomas Covenant (even though it takes a LOOOOOOONG time for him to shape up), they’d belong in the Redeemed Rogue category. I can think of two possible exceptions (you be the judge), and both are sociopaths:

Dexter: Sure he’s a psychopathic serial killer. But he DOES rid the world of bad guys.

Kate Mallory: She’s a cop from a wonderfully suspenseful series of books by Carol O’Connell, and although she’s a diagnosed sociopath, she does right in the end because of a code set up for her by her adopted cop father and his wife. (Sound familiar, Dexter?)

So then. There’s a bit of Hero sandwich for you to chew on. What are your favorite types of heroes? Name your favorite all time heroes!....GO!