Showing posts with label inspiration. Show all posts
Showing posts with label inspiration. Show all posts

Friday, March 7, 2014

5 Writers on: Inspiration, Rituals, Writing Tools, Fav Authors, Advice for Beginning Writers, Characters like us...


It’s been a while since we’ve done an update on what we’re all up to with our individual writing. Mark decided to take it easy this month and interviewed the 5 writers who make up the Scribblerati—their answers wrote this blog. It's a long post, but we hope it's worth you while. For you fellow writers maybe there is even some shared wisdom here you can use. All is revealed--thanks for reading!

Our Current Writing Projects
Claudia Hankin: I’m still struggling through the 3rd draft of my novel, Ursula Evermore and the Case of the Man Who Wasn’t.  At this point, sadly, there are more hash marks in the ‘challenge’ column than the ‘enjoy’ column. I just want to be done and onto the next step (finding and agent, a publisher). I think every author goes through this, or a version of it. I have so many ideas for new projects, but, I’m stubborn.  As Neil Gaiman advises - “'Whatever it takes to finish things, finish. You will learn more from a glorious failure than you ever will from something you never finish...” The question is, when is it time to let go?

Shawn Enderlin: I’m currently working on two projects: finishing up my final round of edits on To Kill the Goddess and working on the first draft of the sequel, which has a working title of Moon Sister. Both are exciting in different ways. On the one hand, I can’t wait to be finished with To Kill the Goddess! On the other I’m having fun exploring and tackling new challenges.

Jon Hansen: I've started a new WIP that I'm about a third of the way through on the first draft. I've got another one waiting for me to start its 2nd draft and a third on the backburner while I think about the intent of the story, plus its goals, purpose, and approach. Right now, at least with the new WIP, I'm really enjoying the freedom and the focus. It's flowing really easily. I have a good idea what I'm going to do for the whole thing and a pretty good half-formed idea of what I'm specifically doing at the end that I'm letting simmer for now. All in all, I'm feeling confident about the final product. I anticipate having a 1st draft done by summer. The most challenging part is just the usual stuff right now: Specific words and a general fear of whether or not it will all come together. (Jon)

Lisa Bergin: I'm working on a series of related short stories that I think of a post-apocalypse utopia. They are my response to a common philosophical position I hear from students: that people are at core egoistic and just out for themselves. I've never really bought that view and this is my attempt to explore it, putting people in a bad situations and thinking through what decisions they would make. And they are always making decisions based not (only) on their own well-being, but the well-being of others.

Mark Teats: I am balancing the polarity of being an MFA creative writing student and being an independent writer these days. The thing I'd most like to work on is my vampire-apocalypse novel, Sunlight. It’s not getting as much attention as I’d like these days. Simultaneously I’m also working on a new required short story for my class, working title Encounter. This has been fun/challenging/different because each week so far we have been asked to rewrite some aspect of the story (including doing a complete re-write from scratch without looking at the original). It’s being both fun and challenging. It’s making me think a lot about aspects of story and how to approach a story differently than I might usually.

Where We Find Inspiration
Other art. Any kind. It all inspires me to make my own creation. (Shawn)

I just like to do it. I also don't wait for inspiration, I think it's a trap. Dedication and discipline are more important, I think. I believe that if you want to get it done, you just have to get to it. Some days are harder than others, sure, but mostly I just sit down and start somewhere and sometimes it leads to something and something it doesn't. Other times I see/read/hear something that I liked the idea, but not the execution, so I try to write my version. (Jon)

This series started with a dream. So that's one place. Also: other stories, science reporting on NPR. I think I often find inspiration just in the act of writing from the perspective of a character. (Lisa)

Lately, reading lots of really phenomenal short stories by other writers (lots of class reading). (Mark)

Claudia: Many sources. I once wrote a play based on a dream. Another play came from a chance encounter with a transvestite. I am a huge movie and TV buff, and even when I see a bad film, I like to rearrange it in my head and make it better. With good movies and television, I pay attention to the writing - I’m not often surprised, but when I am, I take note.
I also am the administrative manager for a theater company, The Moving Company (for you Twin Citians, it’s made up of former members of Theatre de la Jeune Lune). It’s inspiring to being around people who are that powerfully talented. They’ve been creating art so well and for so long, that making something extraordinary is the least of their worries. It’s hard to wallow in Writer’s Blockdonia when you’re around that kind of energy.

On “Sacred” Writing Spaces and/or Ritual(s)
No. Sometimes I write at the dining room table. Sometimes at this little TV table in front of the TV. Sometimes at the coffee shop. Mostly I just need to be left alone and sit at a table/counter comfortably, then I'm all right. (Jon)

Not sacred so much - but I'm usually sitting cross-legged on my couch with my laptop.
Tho' when I'm first trying to find my way into a story I often have to write with pen and paper.
(Lisa)

Sacred is too strong a word, but I do have a bit of a ritual. I like to write in the mornings, which means I start out by making a cup of coffee and then sequestering myself away in my room, with my standing workstation, iTunes banging out some good house/trance, and my voice translation software listening to me ramble away – and doing the typing for me! (Shawn)

Not really. I flit around. Maybe I should get myself one of those! (Claudia)

My writing space is in my man-cave, nick-named "The Fortress of Solitude." Most Friday and Saturday mornings are mine for writing, so on those days I head to my writing desk (framed in by walls of books, fantasy arts and loads of D&D and other gaming figures), light some candles, incense and write in the dark with all but my computer and a couple desk lamps turned on. If I'm editing/re-writing sometimes some heavy metal music is needed to set the tone.

Favorite Writing Tools We’d Recommend
voice translation software. I loooove not having to type! (Shawn)

Laptop (Jon)

Scrivener! (Lisa)

... computer? (Claudia)

My Mac computer, a paper notebook I keep near me at all times, and for managing larger manuscripts, Scrivener. (Mark)

Authors We Admire
I love Joe Abercrombie's imagination and storytelling. I love Cormac McCarthy's prose and descriptive powers. I love Stephen King's easy flow. And I love Truman Capote. But then, I try not to emulate anyone in particular. (Jon)

I default to my favorites, Ray Bradbury for his poetic descriptions, Dean Koontz for his pacing and Stephen King for his ability to write characters that I want to know and spend time with. Harlan Ellison can craft some damn fine sentences and short stories with loads of attitude. (Mark)

F. Scott Fitzgerald is kind of the gold standard for me. His use of language is exquisite- but honestly, I’ve never aspired to be the Great American Novelist. I love authors who effortlessly  ground the fantastical in solid characters and stories. I’m fond of wit. Jonathan Lethem, Connie Willis and Michael Chabon leap to mind. And P.G. Wodehouse makes me laugh until I snort. True confession. (Claudia)

There are a lot of authors I admire, but none I really want to write like. I want to forge my own style and my own way, to have people like my writing for itself, not because it reminds them of someone. However, if I may be so presumptive, I like to think my writing style is most like a blend of Dan Simmons, Judith Tarr, and Stephen King. That sounds totally snobby! (Shawn)

Ursula K. LeGuin. I've been reading a lot of her lately. I've always liked authors who on the surface write very sparsely and without a lot of flourish and yet manage to convey more depth than seems possible with that seemingly spare language. (Lisa)

Something That Advanced Our Writing We’d Recommend to A Beginning Writer
Writing group! Just doing it. Reading great fiction. (Lisa)

The thing that’s most helped my writing in the last few years is hiring a professional editor – hands down. But I wouldn’t recommend that to a beginning writer. What I would recommend is sharing your work with other writers, to get their feedback. It’s tough to learn how to see your own flaws, much less accept them. (Shawn)

Take some classes and some workshops and interact with some successful smart writers in real life. Find a supportive and healthy writing group. Learn to listen to criticism. But mostly: sit down, shut up, pen to paper, repeat. (Jon)

Classes at The Loft are great, if you live in the Twin Cities.  If nothing else, it’s a terrific way to meet other aspiring authors, and start a writing group, which I can’t recommend strongly enough. The Scribblerati is the best thing that’s happened to my writing. (Claudia)

Form a critique group. Having to submit my writing to a group of like-minded peers and also reviewing their work regularly has helped me grow a lot as a writer. Also (as a student) I'd be a hypocrite if I didn't say, “Take a writing class” or attend a writing conference. The Loft is great. All these things have helped me grow my writing skills. (Mark)

Which (of our) Characters We Are Most Like:
I'd like to say Black Magic Jack, but Noelle Easter's sarcastic voice is probably the closest to my own. Also, I'm expecting Bill the Minotaur might hit a little close to home. (Jon)

All of my characters are a part of me, but I can’t say that I’m really most like any one of them in particular. (Shawn)

Because of my cancer thingee I guess I'd have to say I'm most like my character, Clayton Jaeger. Granted, he has brain cancer vs. my neck/throat cancer, and I did write him years before I ever got sick. But getting sick really made me question a lot of things in my life and made me come to terms with what it is to be mortal. I think this is a big part of Clay’s character. Unlike Clay I have not started to see angels. Yet. (Mark)

Hmmm. I think I'm like them all. Especially the protagonists. I think I'll have matured as a writer when I can stop doing that. (Lisa)

Hmmm... The first play I ever wrote had two main characters, and they really represented two sides of me at that time. Confident, cynical wit; and  shy, romantic doormat.  I think as my writing matures, my characters become less like me. I wonder if that’s true for most writers. Of course there’s a piece of me in every character, even the nasty ones. (Claudia)

When Not Writing, We’d Rather Be…
Fishing, reading, seeing an action/fantasy movie. (Mark)

Listening to live traditional jazz. Watching movies, reading, playing games. I’m crazy about any group game that utilizes intelligence, creativity and humor. (Claudia)

Reading a book or watching a movie. I like my stories. (Jon)

I can’t remember a time when I wasn’t writing, at work, or hanging with the Lovely Leann. But I’ll go with drinking beer at Republic or Dangerous Man, or going to a Minnesota Golden Gopher football game. (Shawn)

Reading, doing yoga, crafting, cooking, working in my garden, (those are the g-rated answers....) (Lisa)


Why You Should Check Out Claudia Hankin’s Writing and Characters
She’s the berries. Everyone’s going to say MacGreggor, aren’t they?  All of my beta readers liked him a lot. I’m thinking he’s going to need more scenes, to keep up with his fan base. I hope it doesn’t go to his head.  (Claudia)

Her vocabulary (that's mostly just a joke). She's got an amazing handle on humor and dialogue. Ursula of course - time-travelling, dixie-land jazz aficionado. (Lisa)

Claudia does a fantastic job of blending the old and the modern. (Shawn)

Claudia has done some exceptional research to make her 1920's setting come alive. From clothing, music, terminology, she provides enough details--and the fun, interesting details--to create a world that I believe and want to hang out in. Her vocabulary and word choices are superb--even if I do give her grief about that, sometimes. I think Ursula is my fav character of Claudia's: tough, sexy, funny and quirky in just the right ways. (Mark)

Claudia has a great sense of humor and scene and can really draw distinctive characters. Ursala is my favorite. She's a classic hero. She's both smart and quick and capable, but she often ends up in situations a bit over her head because of her own stubborn nature and fiery temper. She's fun to read. (Jon)


Why You Should Check Out Jon Hansen’s Writing and Characters
Jon’s writing is clean and to the point. Most of his stories have a "gritty" quality combined with humorous observations. He brings the horror and the visceral reactions. His main characters are great, and often his secondary characters are just as much fun and easy to visualize. “Noelle” from his Gunslingers’ novel is my favorite of Jon’s characters. She’s witty with lots of spirit. She copes well with the tough and terrible world around her. (Mark)

Jon’s writing is vivid. You can see everything as if you were standing there yourself. (Shawn)

Oh man... so many to choose from. He's my favorite writer, so I don't know if I can pinpoint any one thing, all I know is: That guy is pretty awesome. And he has impeccable taste. Good kisser too. (Jon)

Jon’s descriptions: working with all 5 senses and his characters, all unique yet recognizable.
Favorite character is hard with Jon - he's got so many great ones - of the recent ones, I really liked Juniper Silverbell. (Lisa)

Jon is a superstar. He’s great at description, and uses sound really well - also, funny. Very, very funny.  Perhaps my favorite thing is that he writes terrific female characters, which sadly seems to be a rare gift in a male sci-fi/horror writers. I like the combo deal of Jack and Noelle, from his zombie novel. They have a believable and touching relationship, very down-to-earth, lots of clever banter in the midst of, you know, the apocalypse. (Claudia)


Why You Should Check Out Lisa Bergin’s Writing and Characters
Lisa's writing is very lyrical and smart. Plus, she has such a unique imagination, but such a clear and consistent vision. I really enjoy the way she'll decide to portray things. Beryl is an easy choice for favorite, a close second for me, but my favorite characters are the three philosopher kids: Tommy, Momo, and P Boy. They were good stuff. (Jon)

Lisa makes you think. It’s not just the obvious allusions to her philosophical background, but rather the style and tone, which challenges you to pay attention to something altogether special and different. (Shawn)

Lisa is the Queen of voice. Her characters all sound unique, and use words, terms that show (not tell) what is going on in her world(s). This is more apparent than ever in my favorite character of hers, Beryl, the girl lead in her novel, Once We Were Bears. Beryl has a charming voice that is both endearing and thoughtful in the way she approaches a world of humans that she is trying to understand. (Mark)

Lisa has an incredibly unique voice. I couldn’t emulate her folk tale/fairy tale/post apocalyptic style if I tried. Her stories are very warm, but take place in very harsh worlds. Her characters at first glance are very simple, but ultimately are nothing but. I love the animal characters from her books. She captures what a goat, bear, chicken and squirrel would say, what they’d sound like, their senses of humor (or not) - and it all somehow makes perfect sense. (Claudia)

Why You Should Check Out Mark Teats’ Writing and Characters
Heart. Mark’s writing has heart, even when the subjects are thousands of years old demons. (Shawn)

Mark was my first fellow writer I met who shared a similar vision/interest and was also going through a lot of the same situations as I was. I like how Mark's writing usually concerns darkness and horror and blood and all that, often in some pretty cool ways, but it is also full of heart. For all of its edge, there's still a classic sense of good and evil. I like that. My favorite characters are probably Blackheart and Noel, especially when they're together. I love their chemistry. (Jon)

His skill at pacing - and making sure the reader always knows what's at stake -
Blackheart, because he gets built back from death by creature's carrying his bits in their mouths - he's invulnerable, and yet is dependent on these tiny animals. (Lisa)

In my latest writing class people critiquing my work said that they thought I was imparting a lot of data in short, descriptive sentences, and that I was clearly a genre writer. I was happy with this summary. In the past I've always felt some of my descriptions have been "too thick" (I've been working on it) so maybe I am making progress? Blackheart is hands down my favorite character. I think I've spent the most time with him. He is probably the toughest yet most sympathetic character I have. When I write him I can always hear his voice. (Mark)

Mark has a way with a turn of phrase, he rocks at the similes - and he creates striking visuals. One of my favorite of Mark’s creations is the Psychopomps. When his main character dies, whatever little creepy creatures happen to be around - scorpions, crappies, etc., travel to Hell to retrieve his flesh, one little nibble at a time, and reassemble his body.  Horrific and terrific.
My favorite character of Mark’s is Blackheart, definitely Blackheart. Cursed for eternity in a human’s body, unable to die - a character worthy of his own Dark Horse Comics series.


Why You Should Check Out Shawn Enderlin’s Writing and Characters
Shawn is a great world builder. He is not afraid to take on a huge host of characters, and a vast world (worlds!) with a long history. His mythology and use of magic are excellent - he takes some of the great tenets of high fantasy and makes them his own, as well as adding to the genre.
I love Kaytlyn in To Kill the Goddess. She becomes possessed by an evil entity, and her struggle to free herself is very intense. What she becomes after the struggle is even better. (Claudia)

Shawn thinks big and complex. His stories are epic. I like how he balances lots of different plots--all full of interesting characters and all in their own exciting stories--and how he keeps them all moving and brings them together. I also like the way he mixes science fiction, horror and fantasy. He has a lot of good characters, but I think Cassondra and Colt are my favorites. (Jon)

My favorite thing about my writing is that it is so fucking much better than it ever used to be. Way to go, me! (Shawn)

The scope of his work - spanning worlds and multiple points of view. It’s a lot to balance and he's done impressive work at it. I’ve always had a soft spot for Tea Leaf - even tho’ she's a minor character. I’ve always loved her - I think her name really clinches it for me. (Lisa)

Shawn is the King of world building. Faeries, unicorns, saurians, druids, lasers, elves and space travel all in the same story? Shawn does it and does it well. Mana-use in his TKTG series is awesome! My vote for his best character is Katelyn (who has to deal with some dark shit, like being possessed by and alien being). She is compelling and convincing (a great female character written by a male). Second place goes to Tea Leaf the faerie. Best. Faerie. Ever. (Mark)

Thank you!
If you made it this far, you're our number one fan. Thanks for taking the time.

~ Mark/@manOwords on behalf of Shawn, Lisa, Jon and Claudia
aka The Scribblerati




Tuesday, June 26, 2012

Open Your Heart

I've been cranky lately.

Its a number of things. First world problems mainly, but still, they've been weighing on me. Work's been kinda meh and I've been sick more than I haven't, but really, it's mostly the book's fault. I'm still not done!
Enough complaining.

I was driving home the other night, crabbing at the traffic, and thinking that all I wanted was to get home and get to work editing but I knew I needed to do some yoga first. It's two hours out of my evening, but I've been putting it off a lot and that's not helping things either.

So I got home and pulled up the Yoga Glow website and this class on heart openers jumped out at me. So I did it. And it was awesome. The instructor spoke of making space around your heart, of casting aside those old thoughts that weigh you down and opening up to truth and light and intuition.

That's good advice, eh? It doesn't matter if you are talking about work, or relationships, or editing. You have to be open to new ideas but that process of making yourself receptive isn't always easy. Sometimes the answer your looking for isn't even new.

Sometimes you just need to rediscover acceptance.

I am where I need to be. The rest will follow, if I open up my heart.

---------------------------

Originally posted at my blog, Writing and Whatnot, on 6-21-12

Friday, October 14, 2011

RIP Dennis Ritchie

This probably isn't a face you're familiar with.



Unlike Steve Jobs, Dennis Ritchie wasn't a public figure. He was an engineer, and the programmer, and the inventor of, among other things, the C programming language, and the UNIX operating system.

For most of you reading this blog, those two things probably don't mean much. Today, we take things like computers, and the Internet, and the voice translation software I'm using to write this blog post, for granted. Today, these things are a part of our everyday lives. 40 years ago, however, it was a much different story. 40 years predates the Internet by 20 years, give or take, and the personal computer by another 10 on top of that.

40 years ago, Dennis Ritchie was inventing the things that would make much of what we have today possible.

Just to give you a little perspective, the C programming language and the UNIX operating system, while still in existence today, are more commonly known as the forerunners of much of the technology that runs today's Internet. The programming language known as Java is the direct descendent of C and today Java exists in everything from Internet Web servers to the Android phone you might hold in your hand. UNIX is just as prevalent. UNIX still runs a significant percentage of the Internet and it is the forerunner of commonplace technologies such as Mac OS X, which just might be displaying the blog post you're reading right now.

So grab yourself a beer, or a soda, or the libation of your choice, and raise a toast to Dennis Ritchie because without him this world would be a much different place.

Wednesday, October 5, 2011

RIP

Years ago I was having a conversation with my dad. We were sitting on his crappy couch in the little apartment he'd rented after separating from my mom. I don't remember exactly why I was there because at the time I was married, graduated, and no longer living back at home. I was probably just there to visit, and it probably wasn't too long after him setting up in the apartment.

We talked about a lot of things that day, most of which I no longer remember, but there was one thing he asked me that I'll never forget. He asked me why I didn't have any kids yet. I wasn't really prepared for the question, but I answered truthfully. I said I didn't know and that it just hadn't been a priority. He asked me, “Don't you want something to pass on in this world? Some kind of legacy that will last after you're gone?” I told him I didn't know if I'd ever have kids, but that I hoped that someday my legacy would live on in a book that people could read long after my time on this world was done.

Strange that I finished the beta draft of my first novel a day before Steve Jobs died.

I don't expect to be famous. All I want is to make a nice little ripple in this pond we live in. All I want is for some geeky picked on kid, or some tired and aspiring college student, or somebody's mom or dad to pick up my book and find a little escape from the crappy world that we live in.

If that was my legacy, I’d put that on my tombstone and die a happy man.

I can't imagine changing the world.

Rest in peace, Steve Jobs.


Friday, August 26, 2011

When Do You Know It's Time To Move On?


I have lost track of the number of full revisions Once We Were Bears has gone through. Which is to say it has been uncountably many.

One of my New Year's Resolutions was to "move Beryl into the world." I'm quoting from the fragments of intentions I developed last January when I took advantage of a generous offer from my massage therapist: a free, New Year's yoga session for her clients. Some wicked challenging poses, a variety of thoughts on values, goals, and courage, and then space and silence and time to write.

In that stillness an image came to me: blackbirds flying.

I'm getting close to letting Beryl take flight, but I'm still holding on, fiddling with the small stuff before sending her out to Beta Readers. How small? Well, let's just leave it at the fact that I'm currently running a search for the word of. Yes. OF. (I use it a lot, and sometimes the line works better without it.) But seriously? Of?

So, yeah, I suppose it's about time for those birds to fly.

And what better time for blackbirds and endings and moving on than autumn?

-----
The opening image is the paper cut art of Nikki McClure, whose calendar I buy every year for myself and those close friends and family unable to make monthly use my bathroom in order to see the beauty she creates with a piece of paper and an X-acto knife.

Friday, April 22, 2011

Beginnings

In my last post, I wrote about killer endings for chapters.

Another thing I've been trying to pay attention to in my own reading is how authors start their chapters and what techniques really pull me in.

I noticed a great one while reading To Kill a Mockingbird this past winter. (For the first time!) Now, TKaM exemplifies many writerly skills to engage the reader, not the least among them, create characters who are real, flawed, and who you can't help cherishing. But for now, I'm just concentrating on this one thing that really stood out for me: you don't have to start a chapter at the beginning. Instead you can start it after some action is already underway.

That's counterintuitive to me as a writer-funny, how so many of my lessons in learning to become a better writer have to do with throwing out what initially makes sense. Case in point: it doesn't make sense to confuse your readers. This is true, and so you might then think: Well, I should start at the beginning; if I throw the reader into a scene that has already begun, they won't know where they are or who's there with them. They'll be lost; being lost is scary; they'll be angry at the one who got them all confused, frightened, and lost-like; they'll throw the book across the room and let the cats gnaw on the corners.
But, it turns out, sometimes plunking your reader abruptly into a scene can work. And work brilliantly.

Here are a nice example from the start of chapter 9:

"You can just take that back, boy!"
This order, given by me to Cecil Jacobs, was the beginning of a rather thin time for Jem and me. My fists were clenched and I was ready to let fly. Atticus had promised me he would wear me out if he ever heard of me fighting any more; I was far too old and too big for such childish things, and the sooner I learned to hold in , the better off everybody would be. I soon forgot.
Cecil Jacobs made me forget.

We know hardly anything about the setting. Are Scout and Cecil inside or outside? Are they alone or surrounded by other children? Maybe there are adults there too? And most importantly, we don't know what Cecil has said that's pissed Scout off. And that not-knowing is a large part of the force that drives the reader on. (So much the better that Harper Lee's also got the humor-drive and the Scout-drive going at the same time.) Had Lee explained it all chronologically, it would have been flat in comparison.

Lee only uses this particular method of pulling the reader in a couple other times in the book. Which probably speaks to not overusing any one technique. Significantly, she employs it in the first chapter:

When he was nearly thirteen, my brother Jem got his arm badly broken at the elbow. ...
When enough years had gone by to enable us to look back on them, we sometimes discussed the events leading to his accident. I maintain that the Ewells started it all, but Jem, who was four years my senior, said it started long before that. He said it began the summer Dill came to us, when Dill first gave us the idea of making Boo Radley come out.

And right off the bat we have mystery: what happened? how did it start? who's Dill? making Boo Radley come out from where, and who is Boo anyway? That's a lot of questions for the first two paragraphs, but those lot of questions motivate us to keep reading so we get the answers.

My own opening raises a lot of questions as well. And many of my writing workshop readers haven't liked that. My guess is that if the writing is good enough, and you start answering some of those questions right away, they'll stick around. So, in the end, I'm suggesting we provoke questions, but have our characters, language, setting strong enough that those questions create reader-quests, rather than reader-confusion.

And now I'm off to make my writing good enough for the questions I want to raise.

Thursday, December 9, 2010

#reverb10 (Shawn's # 7 & 8)



So, I have to admit, I was starting to get a little gun shy about these #reverb10 posts. My first one garnered a few comments and that was cool, but my second just kind of sat there getting all stale and moldy. My third one -- well, that was a punt so whatever.

But then today – BOOM! Comments from the Scribblerati!

Which is a wonderful segue for my response to the next two prompts.

December 7 – Community. Where have you discovered community, online or otherwise, in 2010? What community would you like to join, create or more deeply connect with in 2011?

December 8 – Beautifully Different. Think about what makes you different and what you do that lights people up. Reflect on all the things that make you different – you’ll find they’re what make you beautiful.

First, we need to get one thing straight here. I get the whole Beautifully Different thing, but whoever wrote that wasn’t Minnesotan. You see, here around these parts we come from good old Puritan stock. Now, I'm the furthest thing from Puritan, but for most of us true Minnesotans those sensibilities run deep in the blood and it just isn't seemly to talk about oneself in that manner. It isn't Minnesota Nice to write a blog about ourselves stating why we are beautiful and wonderful. I mean, I totally am, but I'm not going to wax poetic about it.

So I'm taking a different tack. I'm breaking the rules. I'm going to do the cool, hipster Minneapolis thing and mash these up!

I would like to propose that The Scribblerati is a Beautifully Different Community.

As the banner says, The Scribblerati wasn't actually formed in 2010, but I think this is the year that we have truly come together as a Community. I think I can safely speak for the whole group and say we all consider one another to be good friends, but even more importantly, we have all built up a level of trust that, at least in my experience, is somewhat unusual amongst those I consider my friends.

Let me give you a little background. As a writers group, we meet regularly, every two weeks and we critique one another's work. What does that mean, you ask? Before each meeting, we read as much as 50 or more pages of a fellow group member’s writing. At the meeting, we go around the table, one by one, and provide in-depth feedback. We talk about the things we like, the things we don't like and we do it in detail. Point by point.

Speaking for myself, when I write I put my heart and soul into the effort of producing the best possible piece of art that I can. Sure, I recognize that I'm going into the critique knowing that I will make changes based on the comments of my colleagues, yet I always have serious skin in the game and the experience of sitting there and listening to what other people think about my efforts can be a terrifying and humbling experience.

In my mind, the thing that makes The Scribblerati Community Beautifully Different is that I have never once walked out of a critique session feeling worse than when I walked in. I always leave feeling upbeat. Believe me, this isn't because The Scribblerati shower me with praise and tell me everything I have wrote is perfect. It's because the feedback I get, however hard to hear, always makes my writing better, and it makes me a better writer.

I think there are many reasons why The Scribblerati is such a wonderful critique group. I've been sitting here for a while, trying to figure out how to describe it to you, but I think that in this case the simple approach is the most effective.

The Scribblerati Community is comprised of a group of diverse, unique, talented, passionate, compassionate, intelligent, geeks.

We are awesome.

We are Beautifully Different.

Friday, December 3, 2010

#reverb10

I bet you I know something you don't know.

Well, I didn't know it either until yesterday but I like feeling important so play along with me, eh?

So yesterday I was sitting on the couch, watching a spot of TV with the lovely @mplstravelkitty and she asked me if I'd heard about Reverb 10. I was like, what?

Actually, it's #reverb10

And what in the name of The Grinch Who Stole Christmas is #reverb10? 

My synopsis: it's a big, writerish, end of the year blog thing.

This says it much better:


Go ahead. Check it out. I'll wait.

Kind of nifty, I think. Don't you? Although, I have to admit, it is kind of touchy-feely for what goes on around here. We Scribblerati are all about gritty fantasy, bad-ass angels, zombie apocalypse mayhem, redemption seeking bear-girls, sassy time travel, and the occasional rainbow farting unicorn. That's just who we are. I'm not sure that will really fit in with the majority of the #reverb10 crowd, but what the hell. Cyberspace is a big place. Certainly there is room for a Midwestern geek in along with all those mainstream bloggers, right?

So here goes.  And I'm behind, so don't expect a treatise on each one of these.

December 1 - One Word. Encapsulate the year 2010 in one word. Explain why you’re choosing that word. Now, imagine it’s one year from today, what would you like the word to be that captures 2011 for you?

2010 word: Progress

Yeah, I know, it ain't the snazziest but it is accurate. In 2010, give or take a month or two, I have completely rewritten To Kill the Goddess and I'm closer than I ever have been to being finished. On top of that, this has been my second year of doing yoga on a regular basis. Yoga has rebuilt my body and has given me a focus I previously lacked. I am strong in body and mind and I feel like I can do anything.

2011 word: Launch

I'm going to finish To Kill the Goddess.

I'm going to launch and who knows where it will take me.

December 2 - Writing. What do you do each day that doesn’t contribute to your writing — and can you eliminate it?

I go to my frakking day job. I'm working on it.

December 3 – Moment. Pick one moment during which you felt most alive this year. Describe it in vivid detail (texture, smells, voices, noises, colors).

There's so many places I could go with this one. On the plus side: sitting on the beach in Aruba with the lovely @mplstravelkitty. On the minus side: getting canned. And, of course, countless moments in between.

But I'm going to take this one: Success!




That's the University of Minnesota Golden Gopher football team and a whole bunch of fans storming the field with Floyd of Rosedale in hand. Those of you who don't follow college football, much less the Gophers, will find it difficult to appreciate what a moment like this is like. Sure, we can all understand the excitement that comes with winning a game, but this one was special. The Gophers have had a number of horrible seasons in a row and this year they have had some absolutely dreadful losses. I'm a season ticket holder and I haven't seen them win a home game since sometime in early / mid fall of 2009.

So this moment?

My throat is raw; hoarse from screaming and yelling. My head is buzzing from the realization that we actually won a game - and from a nip or two (or ten) of Jameson. My hands are wet and cold, fumbling at my phone and trying to get the camera to snap a picture. My ears are ringing with the shouts of those around me: startled cheers, hoarse shouts, and my dad, a disgruntled Iowa fan grumbling, “Come on! Let's get the hell out of here!”

Success!


PS. there's likely to be an avalanche of these coming from me so prepare yourself!

PPS. Any of you Scribblerati want to join me? Hop on!

Friday, August 6, 2010

Lisa's Second List of Stupendous Literary Stuff

If you missed it, see here for LFLFLF (the first list). Now on to LSLSLS:

Dystopias
I love them on film. I love them in writing. Can't think of any I've loved in song.... I love how in a good dystopia, you can see how we could get from, say, a rising trend in fundamentalism right here, right now to The Handmaid's Tale. It's not surprising that I love dystopias, given that I love retellings from a different perspective (see LFLFLF). That's what I think a dystopia really is: it retells our present from the perspective of our future.

Favorite examples:
Oryx & Crake - Margaret Atwood. Full of amazing detail and research, and of course, amazing writing. Full of tough, tough stuff that usually I wouldn't be able to immerse myself in, but I was completely pulled in by her complicated characters. There's no simple good vs. bad here. Only lots of hard questions and fallible humans. This is the first in a series. The second, The Year of the Flood, is on my soon-to-be-read list.

Parable of the Sower - Octavia Butler. Devastating. Amazing. A very, very dark vision of our future as experienced by Lauren Olamina, a young, black girl who creates a new faith which holds Change as its core principle. As a friend of mine once said after seeing me reading a Butler novel: "Nothing like a writer of color to show us a devastatingly bleak future." I liked the second in the series, Parable of the Talents, less well. I think because it is slightly less bleak, and I could never figure out how we moved from the chaos of the first into the (relative, but still brutal) order of the second.

Things go Badly with the Best of Intentions
I like seeing how badly we can muck things up, especially when we're trying our very best to make things better. Again this connects to my love of dystopias, and my love of retellings from new perspectives. If we were omniscient maybe we wouldn't make the mistakes we do, but because we're often trapped in our own limited perspective we get ourselves into lots of trouble.

Favorite examples:
The Sparrow and Children of God - Mary Doria Russell. You need to read both of these to get the full effect of the stunning miscommunications and misunderstandings between a Jesuit interplanetary expedition and the two species they encounter on Rakhat. A splendid, cautionary, anthropological tale.

Ender's Game - Orson Scott Card. Another cautionary, anthropological tale. When the pequeninos try to honor the xenologers later on in the series? Now there's a misunderstanding. A while back, Scribblerati were talking books, and Ender's Game came up. And I asked, all naive-like, about it. And Shawn said, "Oh, you really should read it; it's one of the classics of Sci-Fi." And although he said it in the nicest, non-shaming way, I thought "I am not worthy. I have not read the classics...I do not yet deserve a geek-grrl badge of honor...." But lo and behold, as I started to create my list of books that have inspired my writing, Ender's Game was right at the top. I read it long, long ago, and my mind wanders back to it often. But did I remember the title? or the author? No, I did not. After a bit of web searching, it all fell into place: I AM worthy, I DO deserve a geek-grrl badge...the badge of forgetfulness.

Unreliable Narrators
Narrators who don't know the whole truth. Or who won't tell you the whole truth. I guess I like being messed with a bit, but only when I know full well that I'm being messed with. There's something special, I think, about a narrator who has a bit of character, some flaw or feistiness to them.

Favorite example:
We Have Always Lived in the Castle - Shirley Jackson. You probably had to read "The Lottery" in High School. Castle is Jackson's brilliant novel. Narrated by Merricat, now an 18-year-old, who lives alone with her reclusive older sister, Constance, and ailing uncle, Julian. Merricat just might be magical, just might be insane, and just might have poisoned the rest of her family as a child when she was sent to bed without dinner. I love the slippery feeling I get reading this;I'm wrapped up in Merricat's perspective, but because her narrative is unreliable, I'm never on secure footing. But that's a good thing. A very good thing.

So how did the above influence my WIP? Once We Were Bears isn't a true dystopia, but it does have three Armageddons. And because I've loved how Butler and Atwood take from the now to give me the future, I've pulled most of the dystopic elements straight from disturbing environmental news stories I've heard on NPR. Next, although Beryl keeps destroying the world, she has the best intentions: to save her beloved wilds for the Animal Nations. But, oh my dirt clod, does she make some mistakes along the way. (Did I mention the Armageddons?) Finally, while Beryl's not the novel's narrator, she is an unreliable diarist. She just doesn't understand the limits of her own understanding of the human world, or the likely consequences of her actions well enough not to be. (The actual narrator of the novel is a potato--I hope a potato with a lot of character.)

Monday, August 2, 2010

Distracted and Discombobulated

That's me, man.

I was supposed to post this blog last Friday, but I was way too distracted by this other thing I’m working on. So Friday didn't work out and my plan became that I was going to post something this last weekend, but nope, still nothing, I was still too busy struggling with this piece I’m working on...

...Well, I was busy with that and I also attended Claudia’s Louis Armstrong Birthday Extravaganza, which pretty much takes up your Saturday night AND your Sunday morning—she mixes a mean ass martini, folks. If you ever have the means, I highly recommend having one… it’s so choice.

…But I digress…

So anyway, today inevitably rolls around and it’s somehow still my turn to put up a blog and I somehow still have nothing. Why? Because I’m still caught up. I’m still too distracted, turning this stupid short story over and over in head, poking at it, obsessing over it. Stephen King once wrote somewhere that he visualizes his story creation process as something akin to a knight storming a castle, riding around and around the outer wall, desperately hunting for a way in so he can get at the goods.

Sometimes he finds it. Sometimes he doesn’t.

So my question is: At what point does the knight take his lance and go home, regardless of the vicious taunting he must endure from the French Defenders on the wall while retreating?

At what point is your story a bust?


Basically, what if that lightning strike of inspiration accidentally catches in some dry timber, and instead of suddenly lighting a clear path, it ends up burning your little story structure down?

When do you trunk it and move on?

Ok, here’s the deal: So, I’m working on this aforementioned thing, right? It’s a ten page, 12 point font, single space short story for a possible Anthology I’d heard about second hand through Claudia (one that I might be too late to submit to at this point—oops), and its only requirement is that the story somehow concern life in a “future” twin cities. Now, I’ve written five pages, five “not bad” to “maybe pretty good” pages and I know how it ends, at least in this version, and yet… every time I come back to it, I have to dig at it. I have to rework it, rewrite it, and reshape it, poke, poke, poke, poke, poke… It’s never done. It's never quite right. And I don't mean in a "stuck in an editing loop" kind of way either, no, this is different, this is... there’s just something that’s not quite gelling about the thing. I’ve been mulling over different ways to start it, different points to start it at, different story focuses even-should it be dragons, or should it be a civil war-but it doesn’t matter, because it’s just not quite jiving. My knight can’t find his way into the castle and somewhere inside, the smell of smoke is getting stronger.

I’m not quite ready to concede defeat; I may yet be able to break on through to completion, but… I don’t know… I can see that hard and fast end point, that wall, coming up fast. I’ve still got a couple of days to hammer away at it and maybe get it into some kind of shape, but it’s feeling doubtful. At this point, no matter what, I’m betting I won’t be ready for the next meeting.

Hurmmm… Alright, well, back to it… but in the interim: At what point do you all consider your stories a bust? And what do you do about it?

Totally frustrated,

Jon

Wednesday, July 21, 2010

Hump Day Surprise! A few thoughts about Scarlet #1

I wasn't always a fan of comics.

I used to be one of those people who looked down their noses at comics. They weren't real writing, so why waste your time with them? Clearly, I didn't know what the hell I was talking about.

I first started reading comics back around the time that horrible travesty otherwise known as The Phantom Menace came out. I was a pretty big Star Wars fan boy back then and I heard they were coming out with a comic about one of those fascinating side characters (Ki Adi Mundi) that Lucas dreamed up but did absolutely nothing with. So I bought it.

And the rest is history.

Now I read a lot of comics and I have been anticipating the release of Scarlett ever since I first heard about it. I may not be a Star Wars fan boy anymore, but I am a big fan of Brian Michael Bendis and Alex Maleev.

So without further ado…



This book is a jewel. From the opening page to the last, this book rocks.

As I have become a better novelist, I have learned to better appreciate and recognize good writing in all forms. As an avid comic reader, I have learned how difficult it is to write a good story in the graphic novel medium. Comics writers don't get to write exposition. They can't explain how a character feels, they have to show us. They do this through dialogue, but also through layout; setting up panels, their content, character placement, etc. This makes the artist as much responsible for the success of a comic as the writer.

We novelists have it easy. We can paint a setting through exposition, and then turn around and tell you exactly how a character feels. Comic writers provide a brief description of all this and then turn it over to the artist. Talk about scary! Fortunately, Bendis and Maleev are both masters.

Don't get what I'm talking about? Well check this out. Here's the setup: Scarlett just killed a cop and she's trying to decide how she feels about that.


© 2010 Jixworld Inc.

That is mastery. Any novelist would be estatic to convey a moment as well as Bendis and Maleev do in these two frames and those handful of words.

Go buy it. You won't be disappointed.

Friday, July 2, 2010

You are what you read (Lisa's version)

Mark is brilliant. After surveying my dearest reading memories, it is so obvious that the writers and novels I've loved have absolutely filtered into the ways in which I'm telling Beryl's story. (Or at least the ways in which I'm trying to tell it.) And now, after following Mark's lead, I see my own history as a reader and a writer much more clearly. Again, that Mark: brilliant.

Creating my list, I realize that I'm drawn to certain types of books, certain ways of telling stories. Specific themes/ideas/narratives just push my pleasure buttons. So rather than a listing of authors, you're getting Lisa's First List of Favorite Literary Features (hereafter: LFLFLF). Subsequent lists will be forthcoming.

Telling The World from A New Perspective
These are stories that we all know. We probably know them by heart. Our elders told them to us; we tell them to our young. We know everything about them. Or so we think. Until we are told the story from the perspective of a minor character. Someone who hasn't yet been allowed to speak, someone we haven't been listening to. Like the story of the current world from, say, the perspective of a bear. And then we see the story, our world, with new eyes.

Favorite examples:
Till We Have Faces - C. S. Lewis. A retelling of the Cupid and Psyche myth from the perspective of Psyche's ugly sister Orual. It was Orual who convinced Psyche to look on Cupid (forbidden!) because she was so jealous of her sister's beauty and her scoring the luscious Cupid. Except that's not what REALLY happened, which you would know if you'd heard Orual's side of the story. This was the first book I read that switched a familiar story. It twisted my mind and it felt so lovely, twisted up that way.

The Astonishing Life of Octavian Nothing - M. T. Anderson. A retelling of the Revolutionary War from the perspective of a black boy/young man. I always catch myself trying classifying this series as an alternative history. But it's not an alternative history. It's my American history, fictionalized, yes, but not alternative history. But I never learned my history this way, from this perspective. So my brain has to do this dance with itself: Woah, imagine if this was our history. Uh, Lisa, this IS our history. But in high school I learned... and everyone always says...and we won the revolutionary war and.... Lies, Lisa, half-truths: Who won that war? Who was freed from imperialism? Not all of us. Woah, everything I thought was true.... Yup.

Nested Stories
Stories inside stories inside stories. Layers. Chocolate Cake, Ganoche, Raspberry Jam. So, so yummy. Obvious connection to Once We Were Bears: A potato tells the story of three teenagers who are reading a journal written by Beryl.

Favorite examples:
Cloud Atlas - David Mitchell. Six different stories, times, places, narrators, and even genres. Wildly different (futuristic sci-fi to mystery to farce to....) Each story emerges seamlessly from the previous until you've gone from the past to the distant future (which resembles the past in some very unsettling ways) and then back again. And throughout them all, a sustained exploration of a single set of questions.

The Orphan's Tales - Catherynne Valente. The most intricately interwoven stories. An orphan tells a story, the character in her story tells a story and on and on and on. The stories dive downward through many storytellers and then come back up through each again, only to dive down again. As I was reading them, I pictured the structure as a score, with notes running down and up a music graph. Down, down, down, up, down, up and up and up and down. Up. Down. File this one also under stories that twist, retelling familiar tales (princes questing, for example,) but turning them inside down and upside out. Breaking them in ways they were aching to be broken.

Choose Your Own Endings
Choose Your Own Adventures: a series of books first published in 1979 (I was eleven). The reader is the protagonist; you read a scenario and then get to choose what action you will take. I had this one (and many, many others):



I am giddy writing this! I so loved these books. I devoured them. I inhaled them. I systematically went through them to make sure I read every possible scenario--my system involved using my fingers as bookmarks so I could trace where I'd been, and where I still needed to go. It might seem hard to read a book when you've got all your fingers stuck into it in various places, but it sure didn't bother me one bit. What will happen if I make this choice? The logical choice seems to be the first option...oh no! Let's try the second option..ok, better, but now which option? Again, the connection to my WIP a strong one: when things go bad (very, very bad,) time travel allows Beryl to try another option by erasing her journal, (rather than flipping back pages.) Will she choose better this time?

I'd pretty much forgotten all about these books, until I saw a promo for a graphic novel that uses the technique: Meanwhile, by Jason Shiga. I'll be reading it soon.

Okay, I gotta close with that one. My brain is doing cartwheels. Whee!

Friday, June 25, 2010

You are what you read (The Jon version)

Awhile back, as you long time readers will no doubt remember, my fellow Scribblerati Agent Mark Teats wrote a blog titled: “You are what you read”, listing some of his long time favorite and most personally influential authors. A fun and insightful read, I thought it was a fantastic idea, one I fully intended to copy as soon as it was my turn to blog again.

Then I forgot all about it.

I forgot a couple of times, in fact, but now—thanks Google Calendar!—I have remembered!

Let’s begin:

(And, of course, there are many other authors and books that I love, even though they are not included on this list, which is transient and appears here in no particular order. Mmm-kay?)

Some of My Favorites, a list by Jonathan Hansen

1. On the Road: Kerouac

There are some who have a problem with this book and its style. There are some who have issues with the culture he helped create (issues I share), but still, this book speaks to a part of me, to who I used to be, to who I wanted to be, and I’ll always love going back to read it again. It’s like visiting old friends and good times.

2. In Cold Blood: Capote


This last school photo of poor doomed Nancy Clutter still haunts me, as does the kind of runaway freight train inevitability of this book, the horrible tragedy and sadness of it all. I came to this book late in life and it simply dazzled me. It is fantastic, one of my very favorites. Capote writes the wide open spaces, perfectly realized, perfectly executed, it is brilliant. Brilliant.

3. Catcher in the Rye: Salinger

So much has been said about this book, about this author, about the culture and hype that surrounds it, that there is little that I can add, except: I read this in fourth or fifth grade and Holden Caulfield blew my mind—like out the top of my head, blew my mind. The quote: “People never notice anything.” That was it, man. In my young head… that was it.

4. Fear and Loathing in Las Vegas: Thompson

I think all young men of my particular ilk have a Thompson phase. I know I did, maybe still do. The trick is, once you can see the other side of it, is to not spend the rest of your life doing a poor imitation of the man’s signature wild man style... most are unable to do this and spend forever wallowing in mediocrity, because no doubt the man was a unique talent, one sorely missed these days. This here: “And that, I think, was the handle - that sense of inevitable victory over the forces of old and evil. Not in any mean or military sense; we didn't need that. Our energy would simply prevail. We had all the momentum; we were riding the crest of a high and beautiful wave. So now, less than five years later, you can go up on a steep hill in Las Vegas and look west, and with the right kind of eyes you can almost see the high-water mark - that place where the wave finally broke and rolled back.” Brilliant.

5. Among the Thugs: Buford

Man, let me tell you—if you want crazy... Have you ever wondered what would happen when a man sucked another man’s eyeball out of his socket during a fight? No? Dudes... don’t read this book then. And that is only ONE of the crazy ass things these crazy ass, real life Man U fans actually did... in real life! They practically burned Juventus to the ground! Why? Because they were there! Amazing book! Amazing.

6. Lyonesse: Vance

As a kid, I was... restless... so Mom would ship me off during the summer. Sometimes, I would visit my Aunt in Los Angeles and she lived in a zombie proof fortress, kind of near Little Tokyo, on the corner of Crack Head Street and Staff Infection Avenue... so, I didn’t get to play outside much. It was always a fun visit, the loft was spacious and we did lots of fun stuff, but still, sometimes there was down time and LA had weird TV and I was like...9 and it’s not like I had brought a bunch of my toys and stuff with, so one day in a B Dalton, I wanted to buy a book. I picked one with a Green armored Knight riding a Purple striped Tiger and was like: “Oh hell yes, this one.” (Paraphrased). And my Aunt said: “But that’s number two... Here’s number one.” And she picked up this one:


“You should get the first one in the series.” And I said: “...” There was no denying the logic, so with slumped shoulders and a last longing look at the Tiger riding Knight, I got it (Holden Caulfield hadn’t taught me rebellion yet) and took it back to the Loft. Since then, I’ve probably read it two dozen times. I read my first version to pieces. The story of the slowly sinking Elder Isles, the invading Ska, the Sorcerer Murgen, and young Dhrun, poor Princes Suldrun, evil King Casmir and Prince Alias one day washing up on the beach is simply... Great. High Adventure. High Fantasy. Tons of characters. Jack Vance is a mad genius. It's a fantasy to be swept away in. It may have even been the first "real" book I read as a kid. I Loved it. It was way better than the purple Tiger book...

7. The Road: McCarthy

Cormac McCarthy is so good, I forgive his lack of quotation marks and dialogue designators. The Road and No Country for Old Man blur by, so spare and yet so richly illustrated, while Blood Meridian is a literary ass kicking. He is brutal and beautiful and his work is staggering. He is so good, it’s intimidating.

8. True Grit: Portis

I’ll make an admission... I’ve never seen this movie. I’ve heard it’s good and once I come across it on DVD, I’ll totally watch it, but yeah... never seen it. So I went into reading this with only a slight image of John Wayne in my head and honestly, this book is amazing. Amazing. It’s one of those books that came flying out of left field and landed in my lap and I was like: “Huh...” Nothing but fun and written like a house a’fire. A total blast. The most amazing part is how aware the book seems, how honest and insightful, all while maintaining the classic tropes of the Western. And now the Cohen Brothers are making it into a film that is supposed to be faithful to the book? Sweet...

9. The Stand: King

So, maybe I’ve mentioned this before, either here or over at my own blog, but I love comics and one of my favorite things to do as a kid was when I would go visit my Grandparents in Boone Iowa, I’d slip away at some point with all of my crumpled bills and handfuls of coins and walk to “downtown” Boone to visit the Hallmark store. In the back they had the biggest shelf of comics my used-to-the-spinner-rack eyes had ever seen. In a time before my first comic shop... this place was heaven and I would carefully count all of my money, so I could buy the most amount of comics available. It took some time, effort, and arithmetic, let me tell you (especially since I was reading all the ones I couldn’t buy), but anyway, after much deliberation, I picked up my stack and started toward the front when a cover stopped me dead... "wha..?":


An extra 400 pages?!?! 400!?!? Now, you need to understand, this book, Star Wars, and the Road Warrior (I still didn’t have the guts, at the time, to watch Night of the Living Dead), they had awaken me to storytelling, opened doors in my head and lit my mind on fire. An extra 400 pages!!! I'd already read the edited version, devoured it, so without pause, without a thought, I left my comics behind and used my money to buy this book. I still have it too. The covers are gone and the first few pages of the front and back, I know it well. This is an end of the world, multi character, Good vs. Evil masterpiece.

10. A Game of Thrones: Martin

Here’s my second admission: I hate fantasy. I love Tolkien, because he’s Tolkien, but all the deformed bastard children he’s whelped in the time since... ugh. Bloodless, sexless, lame half wits, lacking... EVERYTHING that could be considered good...ugh... I had given it up, man. I didn’t want any more. I was done. I mean, I’ve since discovered authors who write kick ass, fantastic fantasy with realistic characters and are good and awesome and well done, like Joe Abercrombie or Richard K. Morgan, for instance, but George here, he was the first one on that road for me with this fat, sprawling monster of a series where powerful houses vie for the throne while an ancient evil grows behind a 300 foot tall wall of ice. The best part of these books is the fear, absolute best part... any character can die in these books, any one of them, and he’s more than proven his willingness to kill, maim, or just generally run through the ringer any character you might think would normally be safe... Let me assure you, they are not. Fantastic books, huge, involving, well-written, they are hardcore. If the idea of what hitting someone with a mace would actually do makes you squeamish, then don’t read these. Seriously brutal. But brilliant. The only (potential) problem is that there’s supposed to be six books and only four are out right now, and it's been awhile, so George is at that tipping point most long term fantasy series authors find themselves at eventually, the point where the story may spiral out of control and never end—fingers are crossed that he is able to land this beast, especially because HBO is doing a series next year. A season per book! WOOOO!

Winter is coming.

I’m so excited.

Anyway, what are you reading?

Jon

Friday, April 30, 2010

You Are What You Read

The old saying “you are what you eat” has some meaning for me as a writer, but I believe it’s more like, “you are what you read.”

Here is a list of my top 10 writing inspirations, the authors I admire and am thankful for, that I read and hope that in the end that some of their awesomeness has rubbed off on me and my writing.

Ten Authors That Inspire Me and My Writing

10. Neil Gaiman. I started reading his work with the SANDMAN graphic novels (OK, the art drew me in too), but I’ve enjoyed his screenplays, novels and short stories, too. What I like most about his writing is his ability to blend the real world and the supernatural into his works. He also looks good in black.

http://journal.neilgaiman.com/

Advice from Neil: http://www.youtube.com/watch?v=bpNb5NwxX_g&feature=related

9. Harlan Ellison. Any of you remember that show on the SciFi channel (not the hideous SyFy channel of today) called SciFi Buzz? I loved the segments Harlan did on that show. I also love his dark short stories mostly because they drip with attitude and secondly because the man can turn a phrase. Recommendation: “REPENT HARLEQUIN!” SAID THE TICKTOCKMAN.

Harlan's impressive credentials: http://www.imdb.com/name/nm0255196/

8. Kurt Vonnegut. I had the pleasure of hearing Kurt talk at my alma mater years ago. I still remember some of the things he said. Almost everything that came out of his mouth was quotable—and isn’t that something a good writer should be? Here is one statement he made that night that cracked the audience up, “If you really want to hurt your parents and don’t want to be gay, go into the arts.” My fav book by him: SLAUGHTERHOUSE FIVE.

7. John Steakley. His books ARMOR and VAMPIRE$ (the latter made into a mediocre movie by John Carpenter) have a fabulous sense of adventure and bigger than life characters (and also some fun dialogue) which is why he’s here on my list.

6. Michael Crichton. In his autobiography “TRAVELS” he talked about how early in his life he wanted to become a doctor, write books and direct movies—and sure enough that’s what he did, in about that order. Any author with an iota of the drive of Mr. Crichton had would go far. My fav book by him: EATERS OF THE DEAD (made into a movie I have to watch anytime it’s on TV, THE 13th WARRIOR.) And of course, where would we be without JURASSIC PARK ?

5. Christopher Moore. What can I say? Any author that can make people laugh is doing his/her job right. http://www.chrismoore.com/

4. Cormac McCarthy. A writer so good he can get away with anything. When I bought THE ROAD I couldn’t put it down, reading it after work on two consecutive nights. The thing I think I admire the most about this story and this author is that the details are so sparse, yet the story is so compelling. Cormac doesn’t even bother naming his characters (the Boy and the Man), he doesn’t get specific on the location or the year or exactly what happened to the world—and most of the book he seems to shun most common punctuation that gives this book an almost dream like quality.

3. Dean Koontz. Oh to master pacing and character like Mr. Koontz, or to be as prolific (I was aware of about 50 of his books, but it sounds like he may have written over 70). My fav of his works: WATCHERS (best dog character ever) http://www.deankoontz.com/

On creating ODD THOMAS: http://www.youtube.com/watch?v=DDupVfc7Rv4&feature=related

2. Stephen King. I’ve written about Mr. King on this blog before, and last Halloween I walked past his house in Bangor, Maine. To say I’m a big fan is an understatement. The reasons why? Again, to be so prolific (and sell so many books) would be an honor. He claims to write every day (something I aspire to but manage only 50% of the time). But I think it is his mastery of giving me characters I like and care about so much is what most inspires me about this writer. Upon completion of two of his books (at least), THE STAND and IT, I found myself a bit bummed out—because I wanted to know what was going to happen to those characters next—and the book was over.

http://www.stephenking.com/index.html

Advice to writers from King:

http://www.youtube.com/watch?v=hqp7A0B7abc&feature=related

1. Ray Bradbury is at the top of my inspiring authors list. His books of short stories like THE OCTOBER COUNTRY and THE GOLDEN APPLES OF THE SUN were some of my first forays into science fiction and horror—and the imagination and poetry of his work has made a lasting impression on me. A few years ago I had the great pleasure to see him at an opening for something he believed in—a new library in St. Cloud, MN. After his reading that day I was literally the last person in line to see him and he stuck around, announcing an hour into the signing portion of his appearance (much to my relief) to all the waiting fans that he’d stay as long as it took to chat with everyone there to see him. When it was finally my turn in line he shook my hand and joked with me. I gave him a fan letter, thanking him for all his inspiration he’d given me over the years, me the novice writer. Six months later I was shocked to find a message on my answering machine from no other than Ray, wishing me a happy Easter and thanking me for the letter. A few days later an autographed copy of his book ZEN IN THE ART OF WRITING arrived in the mail to me from him. All authors should be so gracious and generous to their readership let alone be so talented.

Ray's thoughts on books, writing and life:

http://www.youtube.com/watch?v=EzD0YtbViCs&feature=related

Thanks for reading!

Mark